Heavens to Murgatroyd! Snagglepuss is finally coming out of the closet.
When DC Comics announced last year that it was reviving a number of Hanna-Barbera cartoon icons for its latest series of comics, we learned the big, pink lion would be among them. And now, we have more information on what shape Snagglepuss’ return will take.
In an interview with HiLoBrow, writer Mark Russell — who transformed The Flinstones into a stunning post-modern tale that has been lauded as one of the best comics of 2016 — revealed that Snagglepuss has abandoned his dreams of being a stage actor.
“It’s Snagglepuss sort of reinvented as a gay Southern Gothic playwright,” Russell said.
He adds that the reinvention “was not much of a stretch at all,” with Snagglepuss becoming a “tragic Tennessee Williams figure.” And he won’t be alone. “Huckleberry Hound is sort of a William Faulkner guy, they’re in New York in the 1950s, Marlon Brando shows up, Dorothy Parker, these socialites of New York from that era come and go,” Russell said.
His interpretation of Snagglepuss is directly related to the character’s more than slight suggestion at being gay — or at least on the queer spectrum.
“It’s never discussed and it’s obviously ignored in the cartoons ’cuz they were made at a time when you couldn’t even acknowledge the existence of such a thing, but it’s still so obvious,” Russell said. “So it’s natural to present it in a context where everybody knows, but it’s still closeted. And dealing with the cultural scene of the 1950s, especially on Broadway, where everybody’s gay, or is working with someone who’s gay, but nobody can talk about it — and what it’s like to have to try to create culture out of silence.”
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Russell is no stranger to such subjects: His version of The Flinstonesdealt with the controversy around same-sex marriage and the legitimacy of same-sex couples in moving, humorous fashion.
The full Snagglepuss series starts in “September or October,” but look out for a sampler in the March issue of Suicide Squad/Banana Splits Annual. It will apparently feature “nagglepuss being dragged in front of the House Committee on Un-American Activities,” according to Russell.
If you want a sneak peek of what to expect when Snagglepuss is reborn in print, DC have released a page from the upcoming comic:
The United States is now seeing over 200,000 syphilis cases annually, the highest figure since the 1950s.
Imagine the voice of Golden Girls’ Sophia Petrillo saying, “Picture it, United States 1951, I Love Lucy was kicking off its first season, super glue had just been invented, and there were 140,000 syphilis cases reported across the country.”
By 2000, however, decades of public health advocacy and medical advancements, such as the use of antibiotics in early treatment, had cut down cases to just 32,000 per year.
So, what happened? Why are the numbers worse now than they were 24 years ago?
Leo Varadkar, Ireland's youngest, first openly gay, and first multiracial prime minister, announced on March 20 that he is stepping down from office.
Varadkar resigned as leader of the Fine Gael political party and will resign as prime minister -- or taoiseach -- once a successor is named.
Standing on the steps of the Government Buildings in Dublin, the 45-year-old said he was stepping down for "personal and political" reasons, "but mainly political," reported The Guardian.
"I believe this government can be re-elected," Varadkar said. "I believe a new taoiseach will be better placed than me to achieve that -- to renew and strengthen the top team, to refocus our message and policies, and to drive implementation. After seven years in office, I am no longer the best person for that job."
"It really started just as a Twitter joke," recalls filmmaker Vera Drew, of her boldly creative comic book movie spoof The People's Joker, a passion project largely inspired by the Oscar-winning 2019 Joker starring Joaquin Phoenix.
"My friend Bri just commissioned me to re-edit Todd Phillips' Joker, and I started doing that," Drew tells Metro Weekly. "And then over the course of a few months, it grew in scope."
As Drew involved other artists in assembling a kaleidoscopic, mixed media take on Gotham's Clown Prince of Crime, what started as a joke between friends eventually gained unstoppable momentum. "And as that started happening," says Drew, "it was just like, 'Okay, no, let's just make an original movie here. Let's just make a parody.'"
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