For more information and reviews of every film screening at Reel Affirmations 27, check out our Complete Guide here!
This gathering of uplifting, often funny shorts opens with Blocked (★★★★☆) an uber-gay parody in which filmmaker Kevin Yee tussles with writer’s block. With a not-so-subtle nod to The Sound of Music and a sharply funny, unexpected ending, it captures the simplicity and artfulness of the short movie format in under 4 minutes. Oriana Oppice’s Go Go, Boy! (★★★☆☆) is less successful in its story of Bobby (Marcus Owens), a budding young queer with an obsession for both wrestling and drag. It’s inoffensive enough, but it feels incomplete. Still, Owens saves it by playing his character’s inner desires to the hilt.
Next Level Shit
In Next Level Shit (★★★★☆), Taylor (Ben Bauer) desperately wants to keep his pipes clean in anticipation of a big date with Chris (Daniel K. Issac from The Other Two and Billions). He refuses to eat for the entire day, leading his friends to casually mock his rumbling stomach. Things head toward a predictably disastrous conclusion when store-bought sushi enters the picture. Even though you can see the narrative coming from ten-miles away, writer-director Gary Jaffe manages to put a smart, human spin on the comedy, providing it a cute punchline at the very end.
Self Worship
Things get truly bizarre in the experimental dance short Self Worship (★★★☆☆). A testament to female empowerment, complete with menstrual blood as warrior paint, the film stars Che Che Luna, whose dancing is as vigorous as her on-screen performance. The artistic self-indulgence is a bit much at times. Still, the film manages to be absorbing and there are moments where it’s utterly transfixing.
Sexpert
The clear winner in this program is Sexpert Advice (★★★★★), in which a relatively seedy sex specialist (a scruffy Eddie Cahill) helps nervous, uncertain Albert (Tobit Raphael) land an online hookup. “We’ve got to send him the goods,” he says, instructing Albert to drop his drawers. “Are you a shower or a grower?” It’s a gleaming little gem, written and directed by Raphael with an abundance of humor and humanity.
To Be With You
The amblin’, rough-around-the-seams To Be with You (★★★☆☆) closes things out, as Alex (Avi Roque) and Mari (Sierra Santana), two old friends, reconnect after Alex, who has recently transitioned, visits L.A. to spread the ashes of his father. Written and directed by Elliott Feliciano, the movie, at 20 minutes, is too long by half. Feliciano needs to work on developing better pacing, as the acting feels improvised and unsure of itself. Yet there are elements to admire — the brief romance that develops between the two feels authentic, Nacia Schreiner’s photography, especially during an L.A. montage, is often entrancing, and the music by Mike Meehan is sumptuous, especially in the film’s final minutes. You get the sense you’re watching budding talents at the start of their careers, with enormous promise ahead.
“It Feels Good” screens as part of this year’s Reel Affirmations Film Festival. For more information about the festival or to purchase tickets or festival screening passes, visit https://reelaffirmations.eventive.org.
In one of the stranger crime sprees of Pride Month, a masked man on an electric unicycle is reportedly stealing Pride flags across Longmont, Colorado.
Since Memorial Day weekend -- just ahead of Pride Month -- the man has vandalized homes by bending flagpoles and tearing down flags.
Sheryl Colaur, one of the victims, told the Longmont Daily Times-Call that at least 10 -- and possibly as many as 15 -- of her neighbors in Longmont's Harvest Junction Village neighborhood have had their Pride flags stolen, allegedly by the same man.
There isn't a great deal of originality in Jamie Wax's new play, Call Me Izzy, but it may well mark the first time a white porcelain toilet has been featured so prominently in a Broadway production.
The 90-minute, one-woman show opens in the bathroom of a mobile home, situated in a trailer park in rural Louisiana, where Isabelle "Izzy" Scutley (Jean Smart, Hacks) spends much of her time, scribbling on sheets of toilet paper with a mascara pen. Poetically, she describes the various shades of blue produced by the disinfectant tablets that she gingerly drops in the tank. To her, they are beautiful. To her husband, Ferd, not so much.
Brent Askari's Andy Warhol in Iran could shift some theatergoers' perspectives on a variety of complicated topics, from the junction of art and commerce, to Western interference in the affairs of modern Iran.
Making its D.C. premiere at Mosaic in a crisply-mounted production directed by Serge Seiden, the tidy two-hander takes on a world of troublesome issues without ever leaving a luxury hotel room in Tehran.
That's where the artist Andy Warhol (Alex Mills) is holed up, having been invited by the wife of the Shah, Empress Farah, to create pop-art portraits of her and the royal family.
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