Colin Farrell remains compelling, but the second season loses much of the daring that made Sugar one of TV's most original series.
Signature strikes an emotional chord with the elegantly structured, intimately staged drama What Became of Us.
Keegan Theatre's spirited cast embraces every onstage disaster with expert comic timing and unwavering commitment.
Adrian Chiarella's debut imagines conversion therapy as a demonic curse, but its chilling premise proves stronger than its execution.
Christopher Chen's engrossing drama uses audience participation, science fiction, and sharp debate to explore what it means to be human.
A joyous, tongue-in-cheek homage to golden-age musicals, "Schmigadoon!" dazzles with lush tunes and irresistible charm.
Antoine Fuqua’s 'Michael' is a glossy, estate-approved biopic that moonwalks past controversy to cash in on the legend of Michael Jackson.
Despite committed turns from Anne Hathaway and Michaela Coel, David Lowery’s backstage drama circles endlessly around a story it never tells.
The Grammy-winner's “Little Miss Drama Tour” mixes high-energy hits, bold choreography, and crowd-pleasing theatrics into a raucous night.
Izzard delivers a cerebral, language-driven “Hamlet” at the Shakespeare Theatre, powered by clarity, control, and sheer theatrical nerve.
Karen Ann Daniels’ intimate, interactive take on Shakespeare’s rom-com is powered by standout turns from Tsilala Brock and Manu Kumasi.
Class is in session at Theater J for Jonathan Spector's savagely funny, liberal-lashing comedy "Eureka Day"
Constellation Theatre Company’s boisterous spoof of Bram Stoker’s gothic classic leans into parody, sex jokes, and era-mashing silliness.
His novel, The Book of Luke, blends queer romance, politics, and competition at a moment when LGBTQ readers are craving big, messy stories.
Josh Safdie’s solo outing turns table tennis into a nerve-shredding portrait of ambition, ego, and postwar anxiety.