By Randy Shulman on January 14, 2021 @RandyShulman

Some might call Christopher Cox clairvoyant. Others might say he has extremely good instincts. Whatever the reason, the legendary DJ and producer got very, very lucky.
“The whole time we were doing the tour, I’d been setting up multiple cameras on every show,” says Cox on the phone from his home in Las Vegas. “I was just thinking, ‘This might be handy someday. I don’t know for what.'”
Cox recorded every stop on the tour of “Dragapalooza,” a massively entertaining concert featuring a sachet full of RuPaul’s Drag Race-sanctioned drag stars that played periodically from January 2017 through the end of 2019. Cox and his partners were about to settle the show into a Las Vegas residency, but the pandemic quashed their plans.
“We had everything lined up,” he says. “It was going to be a three days a week show. We were planning on soft-opening in April and then by the time we were in May and summer tourist season, we were going to be rocking.”
The opening date kept getting pushed further and further back. By the time August rolled around, Cox says “the writing was on the wall that it wasn’t happening.” That’s when the footage from the tour came into play. Cox whittled hours upon hours of footage down to a crisp, engaging hour and twenty minutes, and the end result will have its premiere as a streaming event this Saturday, January 16.
The official Facebook page describes “Dragapalooza” as a “musical concert featuring the cast of international celebrity drag queens singing live with a world-class band. Equal parts rock concert and variety show.” The show is built around drag queens who — as adept as they are at lip-syncing — are fully able to carry their own tunes: Trixie Mattel, Sharon Needles, Courtney Act, Derrick Barry, Coco Montrese, and Rhea Litre.
“I come from a band and a music background initially, so I was like, why don’t we just flip the script on drag in general?” says Cox. “Instead of being a lip-sync thing, let’s just find the people that can really sing and let’s do it. And not even do it to track. Let’s do as live as you can be. A live band, live vocals, totally without a net, and let’s see what this could be.”
The idea, says Cox, was to find music that was “out of the pop music spectrum and out of the dance club spectrum, and make it more of a rock show and with a rock identity.”
And boy, does Dragapalooza rock. It’s an invigorating, fast-paced 80 minutes that makes you feel as though you are there. It feels fresh and vibrant. Cox affirms this, noting that during the tour’s run, “people would come backstage and go ‘Oh, my gosh! I’ve never seen drag done like this!'”

Cox, who rose to fame as half of the DJ duo Thunderpus, and has memorably remixed every modern musical superstar from Madonna to Mary J. Blige to Cher, is iconic in his industry. During the pandemic, he’s connected with his fans, many stuck at home, through his Twitch channel, producing regular music-driven streams such as “Anthem Generation,” “Morning Cox,” and the amusingly named “12 Inches of Cox.”
“It’s been pretty remarkable,” he says of the live Twitch streams, which remain online after their initial broadcast. “It just feels right. It’s a more intimate connection because everyone is at home, everyone is in their private space. So there are people letting me into their private space, [and] I’m letting them into my private space. It’s a different level of connection.”
He continues: “I think it’s more of an intimacy. We’re not separated by a stage or by security guards or by bartenders. In a club, the people are all amongst each other and the DJ feeds off that collective energy. This is more like, ‘Hey, I’m on your couch in your living room next to you and we’re all watching the same thing on TV.'”
Cox isn’t surprised by the meteoric rise of drag, and remembers the moment he first noticed drag move from the fringes of the LGBTQ world to the center of the mainstream cultural universe.

“I was playing a club — Crave in Las Vegas. I was booked as a DJ and they had Jujubee there from season two of Drag Race. I remember she came out, did her thing, and performed for maybe 15 minutes, did a couple of lip-sync things. Then I watched her go over to the other side of the room and sign autographs for the next two hours. Taking pictures with people, doing everything. I was like, ‘What is that?’ That was when I saw the shift happen.
“You hear about older musicians and the seismic shift that happened when The Beatles played Ed Sullivan,” he continues. “There are these shifts that happened where an artform suddenly resonated. [With RuPaul’s Drag Race] not only did a whole bunch of people get exposed to something at the same time, but a whole bunch of people who didn’t even know such a thing existed suddenly had a light go off like, ‘I want to do that!’
“With every generation, you grab what’s already there, and you grow it even more. You take from it, but then you add something else. Or you take something from this scene and this scene and then make something else. So it’s constantly evolving. You’ve also got the networks of people and talent that have just gotten deeper. People start challenging each other and pushing each other and it just becomes this thing that grows.”
He recalls taking his daughters to the first DragCon L.A. convention in 2015. “People there weren’t just lip-syncing, but there were fully-fledged performance artists. And there were people that weren’t doing celebrity drag, but their own personas.
“That first year there were a couple thousand attendees. Then there’s 8,000 the next year. And then there’s 40,000 people the next year. I think the last one I went to was 65,000, or something crazy like that.”
Dragapalooza streams on Saturday, Jan. 16, at 9 p.m. ET. Tickets are $15. Metro Weekly readers can use the Promo Code METRO at checkout for $5 off. Visit www.dragapalooza.com.
Watch Chris Cox’s music streams at Twitch.tv/ChrisCoxOfficial.
Read More:
Harvey Guillén on playing a ‘definitely queer’ George in ‘Zoey’s Extraordinary Playlist’
‘Promising Young Woman’ review: Carey Mulligan stuns as doom-seeking vigilante
‘Greenfields’ review: Barry Gibb’s country take on Bee Gees classics disappoints
By André Hereford on October 4, 2026 @here4andre
Alejandro Iñárritu's rambling satire Digger is a woolly mess of a film, though admirable in its ambition. Few modern movies aiming to reheat Stanley Kubrick's Dr. Strangelove recipe of doomsday dread, political satire, and broad absurdist comedy come as close to the Kubrickian ideal as Digger does in fits and starts.
Digger likewise plants us beside the President of the United States (John Goodman) and members of his cabinet cartoonishly fighting in the war room over what to do to avert an imminent disaster. Here, the threat's not an atomic bomb, but rather an American-made climate catastrophe that could wipe out thousands, maybe millions of lives.
By John Riley on October 10, 2026 @JRileyMW
Blue Moon Bar, an LGBTQ club in Pittsburgh's Lawrenceville neighborhood, has apologized after a drag performer wore blackface during its weekly Open Stage event, prompting death threats against the bar.
"Blue Moon Open Stage has been happening for 14 years," the bar wrote in a September 30 Facebook post. "We’ve always tried to maintain a safe and welcoming space for our community and have trusted our performers to share their artistic visions without needing to be policed or censored. One performance last week violated this trust resulting in threats of violence against the bar. Our responsibility as always is to our staff and patrons. We therefore are forced to cancel open stage for the time being."
By André Hereford on October 4, 2026 @here4andre
Two-time Oscar-winner Mahershala Ali trained for years to swing a sword onscreen as the MCU's new incarnation of vampire hunter Blade. Yet, as film fans know by now, the studio wasted that man's time, while certainly adding to his bank account, with no Blade feature ever coming to fruition. And it never will with Ali, he's declared, understandably ready to keep it moving.
Fortunately, from the ashes of the scuttled project -- and half a decade of Ali developing a Blade film alongside Mogul Mowgli writer-director Bassam Tariq -- a new hero has arisen in their gripping collaboration Your Mother Your Mother Your Mother.
LGBTQ Candidates Make History in Blue Tsunami
Virginia Voters Repeal Ban on Same-Sex Marriage
Abdul El-Sayed Defends Trans Rights in Hostile '60 Minutes' Interview
For These 'Mamma Mia!' Husbands, Love Takes Center Stage
Gay Congressional Candidate Confirms Past Fetish Gear Modeling
Girls' Cross-Country Runners Refuse to Race Over Trans Teammate
Virginia Pastor Sues to Block Repeal of Same-Sex Marriage Ban
James Talarico's Trans Athlete Comments Spark Anger and Debate
Chris Gallant Is Running for Congress Without Apology
Imperial Teen: Still Connected After All These Years
Imperial Teen: Still Connected After All These Years
For These 'Mamma Mia!' Husbands, Love Takes Center Stage
Virginia Voters Repeal Ban on Same-Sex Marriage
LGBTQ Candidates Make History in Blue Tsunami
Drag Queen Raises $26,575 for Pride by Selling Bricks
Girls' Cross-Country Runners Refuse to Race Over Trans Teammate
Virginia Pastor Sues to Block Repeal of Same-Sex Marriage Ban
Abdul El-Sayed Defends Trans Rights in Hostile '60 Minutes' Interview
For LGBTQ Voters, the 2026 Midterms Are Personal
2026 Midterms: John Riley’s Races to Watch
Washington's LGBTQ Magazine
Follow Us:
· Facebook
· Twitter
· Flipboard
· YouTube
· Instagram
· RSS News | RSS Scene
Copyright ©2025 Jansi LLC.

You must be logged in to post a comment.