Ridley Scott covers familiar post-apocalyptic ground in "The Dog Stars," but the thrilling action proves he still has the goods.
With "Teenage Sex and Death at Camp Miasma," Jane Schoenbrun cements their status as one of the decade's most imaginative filmmakers.
The flatly acted queer Aussie neo-noir "Body Blow" gets lurid and twisted, but not in the way we like it.
The independent filmmaker talks "I Want Your Sex," his punk-rock roots, and nearly four decades of uncompromising cinema.
Ian McKellen paints a brilliant portrait of an artist in Steven Soderbergh’s clever crime dramedy The Christophers.
The crowd-pleasing "Project Hail Mary" blends high-stakes science with humor, heart, and a race to save humanity.
A podcaster investigates eerie audio files in Ian Tuason’s supernatural thriller, but the sound-driven suspense barely delivers.
Compelling coming-out stories anchor the Black queer documentary Light Up, despite distracting on-camera hosts.
Ethan Coen and wife Tricia Cooke's lesbian neo-noir "Honey Don't!" opens with a bang but sputters into a muddled mystery.
A long-running LGBTQ+ film festival in Phoenix was canceled after Trump’s DEI ban, as the hosting college feared losing federal funding.
Nicolas Cage goes down under in the hallucinatory yet half-baked psychological thriller "The Surfer."
In "Love Me," Kristen Stewart and Steven Yeun find themselves adrift in a profoundly boring distant-future romance.
The popular gay hookup app Grindr released its annual survey of sexual, social, and cultural trends as decided by its users.
Star Denzel Washington says a scene featuring his "kiss of death" was removed from the final version of the film.
Francis Ford Coppola's $120-million misfire presents an ambitious vision of the future with a vagueness at its core.