Once upon a time, Signature Theatre would attract theatergoers by the hundreds this time of year with the lure of “summer hummer”-themed shows, in which top-notch entertainers get a little closer and more personal with patrons, packed into the organization’s intimate spaces in Shirlington.
Two years after the pandemic put a damper on all that, the company has announced a more diverse, as well as dispersed, summer season, kicking off with the free off-site “Signature Theatre Under the Stars” concert featuring powerhouse vocalist Kanysha Williams accompanied by Mark G. Meadows and his band The Movement.
Set to take place Friday, June 10, at 8 p.m., in Arlington’s Lubber Run Amphitheater (200 N. Columbus St.), the concert will include a mix of original tunes by Meadows as well as covers of upbeat iconic jams including “I Wanna Dance with Somebody” and “Superstition.”
Speaking of Meadows covering Stevie Wonder, this year’s summer cabaret series — officially marking the first cabarets at Signature since the pandemic — promises a focused riff on the impressive repertoire of the pop/R&B legend, centered around his 1980 platinum-selling album Hotter Than July, known for the hit “All I Do” and “Master Blaster (Jammin’).”
Meadows is the lead behind the cabarets, which will be directed by Signature’s Matthew Gardiner and presented in the ARK Theatre from July 5th to July 17th. Tickets are $38.
The summer 2022 schedule also includes Signature’s second annual “Broadway in the Park” outing at Wolf Trap featuring Signature stars and headlined by two Tony-winning leading ladies, Kelli O’Hara (The King and I) and Adrienne Warren (Tina: The Tina Turner Musical). The musical theater “under the stars” program takes place Friday, June 24, at 8 p.m. Tickets are $30 to $180.
Meanwhile, summer will get to sizzling at Signature a week before the Stevie Wonder cabarets with a concert presentation of a timely new musical written by Harrison David Rivers with music and additional lyrics by Ted Shen.
Performed in the intimate ARK space Thursday, June 30, through Saturday, July 2, We Shall Someday, directed by Kelli Foster Warder, weaves together story and song to chronicle three generations of a Southern Black family tracing the effects of racism, activism, and legacy from the Civil Rights era to today. Tickets are $25.
Signature Theatre is at 4200 Campbell Ave., in Arlington, Va.
At this point, Hedwig and the Angry Inch has stood nearly as long as the Berlin Wall stood dividing East and West, repression and freedom. After 28 years -- long years for Germans on either side of the Wall, yet relatively brief in human history -- they tore down that blunt, brutal symbol of post-war Communist control.
It's been about 28 years since Hedwig Robinson, a fictional trans woman rock 'n 'roller from East Berlin, first came screaming onto stage in this Off-Broadway musical, with text by John Cameron Mitchell and music and lyrics by Stephen Trask, and, despite all the hate and division still roiling this world, that glorious bitch is still rocking.
You would think that, by now, reasonable theatergoers would be exhausted by angry, self-serving bloviates who unleash profanities and cruel language on each other and anyone within earshot.
Obviously, there is more demand for it, as David Mamet's 1984 Pulitzer Prize-winning Glengarry Glenn Ross is back on Broadway for a third time.
And, like the unwitting suckers who fall into the clutches of this predatory group of real estate sharks, audiences are quick to drop top dollar to see a starry cast comprised of Bob Odenkirk as Shelley Levene, a past-his-prime salesman looking to increase his numbers, Bill Burr as Dave Moss, another older sales guy who huffs and puffs like the big, bad wolf, and Kieran Culkin as hotshot Ricky Roma, a slick smooth talker who has no time for excuses.
With the well-timed arch of an eyebrow, or just a sharp glance, Nathan Lee Graham can command a scene in silence, well before he unleashes some artful, perfectly enunciated turn of phrase.
The actor has been brandishing his enviable diction and expressive mien for decades on Broadway, in The Wild Party and Priscilla, Queen of the Desert, in films from Zoolander to Theater Camp, and on TV shows, like the new Hulu sitcom Mid-Century Modern, where he stars with Nathan Lane and Matt Bomer as three mature gay friends who move in together à la The Golden Girls.
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