In the darkest of dark comedies, it can be hard to tell the heroes from villains.
That might go double for the audacious Down Low, starring Zachary Quinto and Lukas Gage as an epically repressed, recently out gay man and the masseur he’s hired for his first homo happy ending who team up to hide the accidentally dead body of an internet hookup.
Gage — perhaps best known as the White Lotus bellhop who had his salad tossed by Murray Bartlett — co-wrote the script with writing partner Phoebe Fisher, and then encouraged producer FilmNation to pass it along to Rightor Doyle to direct.
“We had known each other for years,” says Doyle, also the creator, writer, and director of Netflix’s provocative comedy series Bonding, loosely based on Doyle’s experiences as a fresh-faced gay New Yorker working for his dominatrix best friend as her bodyguard. One can safely assume the actor-turned-director has seen his share of crazy worker-client situations, and even he was shocked reading the script for Down Low.
“I read the first ten pages and said, ‘I can’t believe someone is going to make this,'” Doyle recalls. “And then I thought, ‘Wait, maybe I should be the one to make it.’ And I think it’s something that, particularly with queer cinema, gay cinema — I love a good, uplifting story, I love a good coming out story — but my sense of humor and the things that I like to watch felt very aligned with this darker, sort of button-pushing version of what it is to be queer or what it is to explore queer identity. And I just jumped at it. I begged to do it.”
For his persistence, Doyle not only got the gig, but then assembled an enviable cast that also includes Simon Rex in a role not to be spoiled, and powerhouses Judith Light, in a drop-dead hilarious turn as a nosy neighbor, and Tony Awards queen Audra McDonald, in a brief but searing appearance as the ex-wife of Quinto’s former closet case.
“She’s incredible,” Doyle raves of McDonald, who shot her part in a day, much to Doyle’s eternal gratitude. “She has been my hero for my entire life. [As a kid,] I saved up all of my money and walked to the nearest CD store and bought Way Back to Paradise, you know? And I told her this, literally, as she’s getting her hair and makeup done.”
While Quinto’s and Gage’s characters try to get away with almost-murder, McDonald’s ex-wife shows up to ensure her former husband doesn’t get off scot-free for upending their marriage, or for living a lie for decades. On the other hand, his sexuality apparently was a revelation to him, too.
As Doyle notes, part of “the beautiful complexity around the movie, but also just around being a human” is that “you can be right and wrong all at the same time.” But these guys are still totally wrong for trying to hide a dead body, right? Even if they do have their reasons? “I’m not here to answer any of those questions,” Doyle offers slyly.
“Good storytelling for me, asks more questions than it answers,” he says. “I would like to leave more curious than when I came. And I hope that this movie does that, whether you love it or hate it. I think the movie wants you to love it or hate it. I think it’s asking you to have a big opinion about it. And I don’t think it’s afraid of you having an opinion. So you can have an opinion, either way. And I think the movie allows for that.”
Miles Heizer wants to clear up a rumor about him that seems to be picking up steam lately.
"It's not real. And I don't know why people think that," the actor states pretty emphatically, though clearly with tongue in cheek, aware there are worse things people could make up about him.
For, while Heizer most definitely, factually was born in the state of Kentucky, he has not, as several sources have erroneously reported, ever been named a Kentucky Colonel, that coveted honorary title bestowed by the governor to individuals "for noteworthy accomplishments and outstanding service to our community, state, and nation."
The Pentagon is bashing the hit Netflix series Boots as "woke garbage."
Based on The Pink Marine, former Marine Greg Cope White's memoir, Boots follows Cameron Cope (Miles Heizer), a closeted teen who joins his straight best friend, Ray McAffey (Liam Oh), at a U.S. Marine Corps boot camp run by the ruthless Sgt. Sullivan (Max Parker).
Set in the 1990s, the series unfolds at a time when service members discovered to be gay or engaged in same-sex activity could be dishonorably discharged. In 1994, under the Clinton administration, Congress approved a so-called "compromise" policy -- "Don't Ask, Don't Tell" -- that ostensibly allowed gay and lesbian troops to continue serving.
The amazing Oscar Isaac can produce magic on-camera, but the actor's overripe performance in Guillermo del Toro's Frankenstein fails to cast a spell.
Stunting his characteristic charisma to portray madly determined scientist Victor Frankenstein, Isaac still wields a brooding intensity and sensuality in the part. Outfitted in plush, body-con Victorian garb, his hair a tumble of curls as Frankenstein rages against his detractors, or feverishly saws parts off corpses, Isaac is ever the movie star.
But he's also wielding an extravagant "ye olde English" accent, aristocratic edition, that never once convinced me. Gothic horror, especially done to Grand Guignol excess as del Toro aims for here, certainly is no place for timidity. And Isaac's go-big performance isn't the only ham being served. Still, it's hard to get past him sounding like a more over-the-top Vincent Price. That mode works better for Charles Dance, portraying Baron Leopold Frankenstein, Victor's demanding, emotionally distant father, in flashbacks to the scientist's sad childhood.
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