In the darkest of dark comedies, it can be hard to tell the heroes from villains.
That might go double for the audacious Down Low, starring Zachary Quinto and Lukas Gage as an epically repressed, recently out gay man and the masseur he’s hired for his first homo happy ending who team up to hide the accidentally dead body of an internet hookup.
Gage — perhaps best known as the White Lotus bellhop who had his salad tossed by Murray Bartlett — co-wrote the script with writing partner Phoebe Fisher, and then encouraged producer FilmNation to pass it along to Rightor Doyle to direct.
“We had known each other for years,” says Doyle, also the creator, writer, and director of Netflix’s provocative comedy series Bonding, loosely based on Doyle’s experiences as a fresh-faced gay New Yorker working for his dominatrix best friend as her bodyguard. One can safely assume the actor-turned-director has seen his share of crazy worker-client situations, and even he was shocked reading the script for Down Low.
“I read the first ten pages and said, ‘I can’t believe someone is going to make this,'” Doyle recalls. “And then I thought, ‘Wait, maybe I should be the one to make it.’ And I think it’s something that, particularly with queer cinema, gay cinema — I love a good, uplifting story, I love a good coming out story — but my sense of humor and the things that I like to watch felt very aligned with this darker, sort of button-pushing version of what it is to be queer or what it is to explore queer identity. And I just jumped at it. I begged to do it.”
For his persistence, Doyle not only got the gig, but then assembled an enviable cast that also includes Simon Rex in a role not to be spoiled, and powerhouses Judith Light, in a drop-dead hilarious turn as a nosy neighbor, and Tony Awards queen Audra McDonald, in a brief but searing appearance as the ex-wife of Quinto’s former closet case.
“She’s incredible,” Doyle raves of McDonald, who shot her part in a day, much to Doyle’s eternal gratitude. “She has been my hero for my entire life. [As a kid,] I saved up all of my money and walked to the nearest CD store and bought Way Back to Paradise, you know? And I told her this, literally, as she’s getting her hair and makeup done.”
While Quinto’s and Gage’s characters try to get away with almost-murder, McDonald’s ex-wife shows up to ensure her former husband doesn’t get off scot-free for upending their marriage, or for living a lie for decades. On the other hand, his sexuality apparently was a revelation to him, too.
As Doyle notes, part of “the beautiful complexity around the movie, but also just around being a human” is that “you can be right and wrong all at the same time.” But these guys are still totally wrong for trying to hide a dead body, right? Even if they do have their reasons? “I’m not here to answer any of those questions,” Doyle offers slyly.
“Good storytelling for me, asks more questions than it answers,” he says. “I would like to leave more curious than when I came. And I hope that this movie does that, whether you love it or hate it. I think the movie wants you to love it or hate it. I think it’s asking you to have a big opinion about it. And I don’t think it’s afraid of you having an opinion. So you can have an opinion, either way. And I think the movie allows for that.”
Russian-born tennis star Daria Kasatkina says she "didn't have much choice" but to defect from her home country after coming out as a lesbian.
The No. 12-ranked female tennis player in the world recently had her application for permanent residency granted by the Australian government. Going forward, she will represent Australia in international competitions, including at this week's Credit One Charleston Open.
"It's emotional for me," the former French Open semifinalist said of the decision to leave her home country. "For me, being openly gay, if I want to be myself, I have to make this step, and I did it."
Theater suggestions are part of a critic's job. So when a friend sent a text asking for a recommendation to take his visiting mom to -- "something joyful" on Broadway was the requirement -- I didn't waste a moment responding: Boop! The Musical.
It may seem a surprising answer because the property upon which it's based comes from a cartoon that was popular from 1930 to 1939. Nevertheless, Betty Boop has endured, accumulating legions of cross generational fans and becoming one of the most globally recognized animated figures of all time.
Director and choreographer Jerry Mitchell, who has a knack for leaving audiences on a natural high after all his shows, once again brings literal glitter to a work that makes us long for the days when nearly every old-fashioned musical delivered big thrills.
Influencers are blathering on the internet. Rumors have been flying about the backstage troubles of Bombshell: The Marilyn Monroe Musical. That's the musical within the Broadway musical Smash, based on the short-lived, cult-hit television show of the same name.
It premiered on NBC in 2012 to critical acclaim but by the end of the second season, critics panned it. Still, legions of fans were loyal, and invariably, talk began of bringing it to Broadway.
A benefit for the Actors Fund saw a one-night-only, sold-out concert presentation of Bombshell in 2015, but the project lay dormant until 2020 when, in the midst of lockdown, it was announced that a musical based on the TV series was in the works. Finally, Smash has arrived.
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