Once upon a time, Signature Theatre would attract theatergoers by the hundreds this time of year with the lure of “summer hummer”-themed shows, in which top-notch entertainers get a little closer and more personal with patrons, packed into the organization’s intimate spaces in Shirlington.
Two years after the pandemic put a damper on all that, the company has announced a more diverse, as well as dispersed, summer season, kicking off with the free off-site “Signature Theatre Under the Stars” concert featuring powerhouse vocalist Kanysha Williams accompanied by Mark G. Meadows and his band The Movement.
Set to take place Friday, June 10, at 8 p.m., in Arlington’s Lubber Run Amphitheater (200 N. Columbus St.), the concert will include a mix of original tunes by Meadows as well as covers of upbeat iconic jams including “I Wanna Dance with Somebody” and “Superstition.”
Speaking of Meadows covering Stevie Wonder, this year’s summer cabaret series — officially marking the first cabarets at Signature since the pandemic — promises a focused riff on the impressive repertoire of the pop/R&B legend, centered around his 1980 platinum-selling album Hotter Than July, known for the hit “All I Do” and “Master Blaster (Jammin’).”
Meadows is the lead behind the cabarets, which will be directed by Signature’s Matthew Gardiner and presented in the ARK Theatre from July 5th to July 17th. Tickets are $38.
The summer 2022 schedule also includes Signature’s second annual “Broadway in the Park” outing at Wolf Trap featuring Signature stars and headlined by two Tony-winning leading ladies, Kelli O’Hara (The King and I) and Adrienne Warren (Tina: The Tina Turner Musical). The musical theater “under the stars” program takes place Friday, June 24, at 8 p.m. Tickets are $30 to $180.
Meanwhile, summer will get to sizzling at Signature a week before the Stevie Wonder cabarets with a concert presentation of a timely new musical written by Harrison David Rivers with music and additional lyrics by Ted Shen.
Performed in the intimate ARK space Thursday, June 30, through Saturday, July 2, We Shall Someday, directed by Kelli Foster Warder, weaves together story and song to chronicle three generations of a Southern Black family tracing the effects of racism, activism, and legacy from the Civil Rights era to today. Tickets are $25.
Signature Theatre is at 4200 Campbell Ave., in Arlington, Va.
For most seniors, the golden years mean retirement, relaxation, and a slower pace. André De Shields is not that kind of senior. The multi-hyphenate performer even coined his own term -- "wellderly" -- to describe "old people who are still kickin' ass."
De Shields is certainly walking the talk. He won the 2019 Tony Award for Best Featured Actor in a Musical for his electrifying turn as Hermes in the Broadway hit Hadestown, followed a year later by a Grammy for the cast recording. The actor has been a fixture on Broadway since his debut in the early seventies. After a few short-lived flops, he broke through as the title character in The Wiz and later starred in the now-legendary Ain't Misbehavin'.
For all you George Michael lovers who have been waiting for that day that The Life and Music of George Michael -- "a tribute, a party, an epic show" -- would return to town, have faith. Your knight in shining Ray-Bans is back on a North American tour, and dancing into D.C. for one night only at the National Theatre.
"We were there last year, and wow! Amazing audience," recalls Craig Winberry, who performs as the late, Grammy-winning gay icon in the concert-style show written and directed by Dean Elliott.
A singer-songwriter himself, in addition to performing theater roles Off-Broadway and on tour, Winberry has racked up nearly 100 dates and counting, bringing the music and legacy of Michael's 115 million albums-sold career to fans eager to relive that "Freedom '90" magic.
You just can't keep a creative powerhouse down. Synetic may labor on without a dedicated performance space, but their Frankenstein; or, the Modern Prometheus simply soars. A beautifully-orchestrated feast for the senses, this is a classic Synetic-style spectacle of sound, movement and inventive story-telling.
Under the vision of director Paata Tsikurishvili Frankenstein has got it all: a striking and original score by composer Konstantine Lortkipanidze; rich and extraordinary projections and lighting from Zavier Augustus Lee Taylor and Brian Allard; physics-defying set pieces from Phil Charlwood; and an ensemble that brings everything they've got to the movement, mime, and heart-felt reimagining of this tale.
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