Film
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A Few Feet Away Review: When Grindr Becomes an Addiction
Raw and wryly funny, "A Few Feet Away" follows the hookup exploits of a Grindr-obsessed twink in Buenos Aires.
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Jay Kelly Review: Capturing the Unreality of Fame
Noah Baumbach's wistful Hollywood satire "Jay Kelly" questions the price of success in the motion picture industry.
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#300Letters Review: Toxic Notes from Buenos Aires
A spicy breakup tale built on 300 venomous letters, Lucas Santa Ana’s sexy but uneven gay "anti-romcom" stings more than it soothes.
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Come See Me in the Good Light Review: Romancing Cancer
Blunt, moving, and ruefully funny, Ryan White's film captures poet Andrea Gibson living their best life while dying.
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Tina Romero is Queering Up Zombie Movies
The filmmaker blends bold queer storytelling with the horror legacy her father built, creating a zombie film that’s entirely her own.
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The Rocky Horror Picture Show at 50: Let There Be Lips
Half a century later, the midnight movie that refused to die still sparks freedom, community, and unapologetic queer joy.
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Bugonia Review: Yorgos Lanthimos’ Sharp, Surreal Stinger
Emma Stone and Jesse Plemons buzz through a wickedly funny thriller of abduction, alienation, and apiculture.
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If I Had Legs I’d Kick You Review: Motherly Meltdown
Rose Byrne gives a powerhouse performance as an overworked mom pushed past her limits in Mary Bronstein’s darkly comic drama.
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Frankenstein Review: Del Toro’s Creation Fails to Come Alive
Guillermo del Toro's sumptuous "Frankenstein" looks fantastic while lurching along like a ship trapped in ice.
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Some Nights I Feel Like Walking Review: Manila After Dark
Arresting atmosphere and a compelling cast lift the formulaic Filipino gay hustler drama "Some Nights I Feel Like Walking"
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The Black Phone 2 Review: Losing the Signal
Scott Derrickson's sequel to The Black Phone reaches for deeper meaning amid its ghosts and gore, but never finds the same chilling power.
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Tron: Ares Review: The Code Is Broken
"Tron: Ares" shimmers with sleek visuals and a killer score, but beneath the glow-up lies the same old pointless trash
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Kiss of the Spider Woman Review: Dazzling and Disappointing
Bill Condon’s glossy Kiss of the Spider Woman favors J.Lo’s showmanship over the musical’s political grit.
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Fairyland Review: Scoot McNairy Shines in Tender Queer Memoir
"Fairyland" finds its heart in Scoot McNairy's standout turn as a single gay dad raising his daughter in 1970s San Francisco
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Russell Tovey on Shame, Love, and His Role in Plainclothes
The actor opens up about playing a closeted family man in Carmen Emmi’s erotic thriller, and why queer visibility still drives his work.
