Scott Derrickson's sequel to The Black Phone reaches for deeper meaning amid its ghosts and gore, but never finds the same chilling power.
"Tron: Ares" shimmers with sleek visuals and a killer score, but beneath the glow-up lies the same old pointless trash
Bill Condon’s glossy Kiss of the Spider Woman favors J.Lo’s showmanship over the musical’s political grit.
"Fairyland" finds its heart in Scoot McNairy's standout turn as a single gay dad raising his daughter in 1970s San Francisco
The actor opens up about playing a closeted family man in Carmen Emmi’s erotic thriller, and why queer visibility still drives his work.
Paul Thomas Anderson's politically charged "One Battle After Another" offers a masterclass in action moviemaking.
The fall arts slate spans highbrow to high camp, with queer comedies, historical epics, and cinematic heavyweights vying for your attention.
Music is the elixir drawing together two scholars in this beguiling period romance starring Paul Mescal and Josh O’Connor.
Twinless director James Sweeney opens up about queer friendship, sibling loss, and Buffy inspiration behind his genre-bending new film.
Stephen King’s The Long Walk is well-acted but bogs down in a grueling, monotonous trek through violent dystopia.
From world premieres to queer cinema, the 22nd DC Shorts Film Festival offers a vibrant mix of stories and styles.
Austin Butler's compelling turn lends surprising depth to the deviously funny, action-packed crime caper "Caught Stealing."
Stars Olivia Colman and Benedict Cumberbatch swing hard but the punches don't connect in the warring spouses comedy "The Roses"
Ethan Coen and wife Tricia Cooke's lesbian neo-noir "Honey Don't!" opens with a bang but sputters into a muddled mystery.
Spike Lee’s Highest 2 Lowest reimagines Kurosawa’s High and Low, with Denzel Washington leading a tense kidnapping thriller in New York City.