Arts + Entertainment
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The Rocky Horror Picture Show at 50: Let There Be Lips
Half a century later, the midnight movie that refused to die still sparks freedom, community, and unapologetic queer joy.
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For Cheyenne Jackson, Music Remains the Great Salvation
Cheyenne Jackson joins the American Pops Orchestra in D.C. before taking his deeply personal show to Carnegie Hall.
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André De Shields Is Proudly “Wellderly”
The Tony-winner stars in Tartuffe inside a Gilded Age mansion before heading back to Broadway for Cats: The Jellicle Ball.
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The Wild Duck Review: A Rare Ibsen Revival That Soars
The Shakespeare Theatre's Simon Godwin turns Ibsen's "The Wild Duck" into a sharp, resonant study of truth, guilt, and family fallout.
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Bugonia Review: Yorgos Lanthimos’ Sharp, Surreal Stinger
Emma Stone and Jesse Plemons buzz through a wickedly funny thriller of abduction, alienation, and apiculture.
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If I Had Legs I’d Kick You Review: Motherly Meltdown
Rose Byrne gives a powerhouse performance as an overworked mom pushed past her limits in Mary Bronstein’s darkly comic drama.
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Alphabet Soup’s Thrilling Queer Dating Chaos
The irrepressible stars of the queer dating docuseries mix chaos, candor, and connection in a bold take on modern love.
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Frankenstein Review: Del Toro’s Creation Fails to Come Alive
Guillermo del Toro's sumptuous "Frankenstein" looks fantastic while lurching along like a ship trapped in ice.
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Some Nights I Feel Like Walking Review: Manila After Dark
Arresting atmosphere and a compelling cast lift the formulaic Filipino gay hustler drama "Some Nights I Feel Like Walking"
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Fremont Ave. Review: Powerful Family Drama at Arena Stage
Reggie D. White's world premiere play finds humor and heart in a Black family’s decades-long search for peace.
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Art Review: Broadway Revival is No Masterpiece
Even with its starry cast, the Broadway revival of "Art" struggles to find meaning beyond its blank canvas
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Miles Heizer Talks Netflix’s ‘Boots,’ Max Parker — and That Ending
Miles Heizer his queerness, the Marines, the emotional toll of Boots, and why he’s ready for a season two.
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The Black Phone 2 Review: Losing the Signal
Scott Derrickson's sequel to The Black Phone reaches for deeper meaning amid its ghosts and gore, but never finds the same chilling power.
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Opera Lafayette Breathes New Life Into Dido and Aeneas
Henry Purcell’s Baroque tragedy opens Opera Lafayette’s season under new artistic director Patrick Dupre Quigley.
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Tron: Ares Review: The Code Is Broken
"Tron: Ares" shimmers with sleek visuals and a killer score, but beneath the glow-up lies the same old pointless trash
