All posts by Doug Rule
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Hump Day: Dan Savage’s Hump! Film Fest returns
A number of LGBTQ films on offer at the avant garde homemade pornography festival
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Black to Silver: A Black LGBT Experience
Dissonance presents an event examining dating, casual encounter and acceptance in the black LGBT community
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Cherry 2017: Gay Dance Party Returns This Weekend
For 21 years, Cherry has provided a solid weekend of DJs, dancing, and raising money for a worthy cause.
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Barcelona Beatmaker: Ivan Gomez plays at Cherry this weekend
Making his Cherry debut, Ivan Gomez follows in the footsteps of his idol Peter Rauhofer
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Out on the Town: DC arts highlights, for the week of April 20-26
Highlights for Film, Stage, Music, Dance, Art and more
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Hank’s Dupont: 10th Annual Oyster Fest
Expect copious amounts of beer, bivalves and Old Bay fries
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Drawing on Life: An interview with “Fun Home’s” Alison Bechdel
Cartoonist Alison Bechdel couldn't have sketched out a more successful career if she'd tried
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Queer youth gang doc “Check It” screens at FilmFest DC
Documentary follows the members of a gang formed to fight back against anti-LGBTQ violence
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Filmfest DC brings 60 features, documentaries and shorts to AMC Mazza Gallerie
The festival opens with Lucas Belvaux's This Is Our Land, a timely tale about the appeal of populism
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Ballet Across America celebrates diversity in American ballet at the Kennedy Center
Misty Copeland and Justin Peck curate two distinct programs
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Todrick Hall brings Straight Outta Oz to the Howard Theatre
Hall reenacts his hour-long visual album live
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The Choral Arts Society brings a world-premiere commission to the Kennedy Center
In addition to Jake Runestad's original work, Mozart and Bach will also feature
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Library of Congress to screen every episode of Queer as Folk
It's the British original, not the American remake
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Ford’s “Ragtime” is almost “shockingly relevant” to what’s going on in America
Police brutality, women's rights and immigration all feature in the musical
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Pointless Theatre’s “d0t:: a RotoPlastic Ballet” is a “robot puppet spectacle”
It addresses the struggles of assimilation and obsoletion within a changing power system
