Francesca Zambello delivers lavish Golden Age spectacle, standout musical numbers, and big Broadway flair.
Sam Holcroft’s "Rules for Living" turns holiday tension into a smart, funny spiral of family coping strategies gone haywire.
Synetic's movement-based reimagining of Shelley's tale is a visually stunning feat of sound, light, and soul
The Shakespeare Theatre's Simon Godwin turns Ibsen's "The Wild Duck" into a sharp, resonant study of truth, guilt, and family fallout.
Lively and colorful, Jocelyn Bioh's "Merry Wives" at STC blends Harlem culture and Shakespearean farce with mixed results
In reshaping "Frankenstein" as a tale of contemporary marriage, Emily Burns raises more questions than her monster answers
The Washington National Opera’s stirring revival of George Gershwin's classic highlights the power of community and voice.
Julia Izumi’s self-absorbed solo show offers weak humor, clunky staging, and little emotional payoff beneath its quirky concept.
The Shakespeare's brilliant new "Uncle Vanya" is rooted in the past but streaked with a modern sensibility.
Synetic's magnificently layered riff on Charlie Chaplin and his most iconic character hits close to home.
Woolly Mammoth's funny and subversive "It's a Motherf**king Pleasure" is a joyously provocative evening out.
Rich with human detail, "Kunene and the King" explores the terrible cost and legacy of South Africa's apartheid.
David Tennant and Cush Jumbo perform a scorching "Macbeth," filmed live "for the big screen" in London.
If you see one opera this season, let it be WNO's "Macbeth," Verdi's journey into the dark heart of the Scottish play.
Packed with strong performances, The Folger's "Romeo + Juliet" is a buzzy, smart interpretation of this oft-told tale.