The filmmaker blends bold queer storytelling with the horror legacy her father built, creating a zombie film that’s entirely her own.
Cheyenne Jackson joins the American Pops Orchestra in D.C. before taking his deeply personal show to Carnegie Hall.
After 28 years, D.C. vintage queen Pixie Windsor closes Miss Pixie’s Furnishings & Whatnot with a Halloween farewell party.
Scott Derrickson's sequel to The Black Phone reaches for deeper meaning amid its ghosts and gore, but never finds the same chilling power.
Henry Purcell’s Baroque tragedy opens Opera Lafayette’s season under new artistic director Patrick Dupre Quigley.
Food & Friends’ new fundraiser trades Thanksgiving pies for fitness challenges that help provide meals for people in need.
"Tron: Ares" shimmers with sleek visuals and a killer score, but beneath the glow-up lies the same old pointless trash
A decade later, the Americana-pop artist revisits his breakthrough album, its earthy roots, and the songs that still spark connection.
Ari Shapiro believes that the longevity of Pink Martini — three decades and counting — is “a testament to their creativity, their artistry, their commitment...
A fearless fall on D.C. stages -- classics reimagined, new voices amplified, and bold premieres that insist live theater matters now.
Unlocking the carefully guarded secrets of one of pop's brightest and most enigmatic new artists.
In 1995, we spoke with Carol Channing about Hello, Dolly!, female impersonators, and Broadway's response to AIDS.
Twinless director James Sweeney opens up about queer friendship, sibling loss, and Buffy inspiration behind his genre-bending new film.
Republished in full, our 1996 interview with Eartha Kitt captures her candid views on Hollywood, activism, Catwoman, and LGBTQ legacy.
Mary Chapin Carpenter brings her most intimate album yet, Personal History, to Wolf Trap on Aug. 16 with special guest Brandy Clark.