The Mr. Mid-Atlantic Leather 2025 winner opens up about faith, identity, and a year that changed his life.
Broadway veteran Douglas Sills discusses reimagining Fiddler on the Roof at Signature Theatre, Jewish identity, and HBO’s The Gilded Age.
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From disco dance parties and drag countdowns to no-cover bar hangs, here are 21 LGBTQ New Year’s Eve celebrations across Washington, D.C.
Martha Nell Smith reflects on Emily Dickinson’s intimate letters, her secret queer romance, and the poet's enduring legacy.
The comic talks Larry the cat, political resistance, and which politician tops her fantasy presidential roster.
The filmmaker blends bold queer storytelling with the horror legacy her father built, creating a zombie film that’s entirely her own.
Cheyenne Jackson joins the American Pops Orchestra in D.C. before taking his deeply personal show to Carnegie Hall.
After 28 years, D.C. vintage queen Pixie Windsor closes Miss Pixie’s Furnishings & Whatnot with a Halloween farewell party.
Scott Derrickson's sequel to The Black Phone reaches for deeper meaning amid its ghosts and gore, but never finds the same chilling power.
Henry Purcell’s Baroque tragedy opens Opera Lafayette’s season under new artistic director Patrick Dupre Quigley.
Food & Friends’ new fundraiser trades Thanksgiving pies for fitness challenges that help provide meals for people in need.
"Tron: Ares" shimmers with sleek visuals and a killer score, but beneath the glow-up lies the same old pointless trash
A decade later, the Americana-pop artist revisits his breakthrough album, its earthy roots, and the songs that still spark connection.
Ari Shapiro believes that the longevity of Pink Martini — three decades and counting — is “a testament to their creativity, their artistry, their commitment...