Tarell Alvin McCraney's new play, "We Are Gathered," dives into love, legacy, and the intimacy of Black queer lives.
The Washington National Opera’s stirring revival of George Gershwin's classic highlights the power of community and voice.
Author and spiritual coach Kae Ecstatic goes deep on life, sex, politics, and competing on "The Great BateWorld BateOff."
Julia Izumi’s self-absorbed solo show offers weak humor, clunky staging, and little emotional payoff beneath its quirky concept.
Trans performer Lucy Eden juggles a wealth of talents in her autobiographical show "Circus of the Self" at Spooky Action
A corpse, a crime spree, and 7 Tony nods: This darkly hilarious musical about outlaw Elmer McCurdy is Broadway’s strangest and smartest hit.
Director Tina Landau had Idina Menzel climbing a tree earlier this season in the original Broadway musical Redwood. Now, she has hurled Jeremy Jordan down...
The latest "Mission: Impossible" submerges breathtaking action and suspense 20,000 leagues beneath a sea of mission planning.
Keegan's passionate march through "Falsettos" sings of the joys of chosen family while leaning into the agonies of divorce.
Prime Video's "Overcompensating" offers a keenly perceptive portrayal of campus life for a closeted college freshman.
The Gay Men's Chorus of Washington DC aims to inspire hope through its upcoming WorldPride International Choral Festival.
To celebrate our 31st Anniversary, we present, for the first time since 1994, the interview that launched Metro Weekly magazine.
Gabriel Mata leads a queer Latinx dance movement through the Latinx Movement Festival and the new work "Amor, Dolor y Sabor."
In Studio's gripping "Paradise Blue," 1940s film noir meets August Wilson-style drama inside a Detroit jazz club.
Constellation's bustling "Head Over Heels" serves classical romance and queer self-discovery with a giddy Go-Go's twist.