The actor opens up about playing a closeted family man in Carmen Emmi’s erotic thriller, and why queer visibility still drives his work.
A meta reimagining of the classic Frankenstein, Mary Shelley’s Monsters proves a muddled experiment in gothic theater.
Round House’s Bethesda production of Matthew Lopez’s The Inheritance delivers a sweeping, six-hour gay epic of history, love, and loss.
Paul Thomas Anderson's politically charged "One Battle After Another" offers a masterclass in action moviemaking.
The fall arts slate spans highbrow to high camp, with queer comedies, historical epics, and cinematic heavyweights vying for your attention.
‘Tis a season for celebrating significant milestones in dance, including an amazing honor for one of the most revered names ever to be associated with...
Chelsea Marcantel’s Amish family drama Everything Is Wonderful gets a finely crafted but uneven production at Keegan.
Music is the elixir drawing together two scholars in this beguiling period romance starring Paul Mescal and Josh O’Connor.
GALA spins a web of taut drama, intrigue, and sexual tension in a spellbinding "Kiss of the Spider Woman."
A sexy portrait of a marriage, Mosaic's "Dodi & Diana" gets all dressed up but doesn't really go anywhere.
Stephen King’s The Long Walk is well-acted but bogs down in a grueling, monotonous trek through violent dystopia.
From world premieres to queer cinema, the 22nd DC Shorts Film Festival offers a vibrant mix of stories and styles.
Austin Butler's compelling turn lends surprising depth to the deviously funny, action-packed crime caper "Caught Stealing."
Stars Olivia Colman and Benedict Cumberbatch swing hard but the punches don't connect in the warring spouses comedy "The Roses"
Photographer Marco Ovando captures Drag Race queens onstage and off, showcasing his evolution as an artist in “The Dolls Volume III.”