All posts by Sean Maunier
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Music Review: Sofi Tukker’s “WET TENNIS” Is Consistently Exhilarating
Sofi Tukker's brilliantly-executed sophomore album, "WET TENNIS," is a pure rush of endorphins.
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Editor’s Pick: Vincint Brings His Getaway Tour To D.C.’s Union Stage
Vincint's mission is "to make you cry and make you dance," something he succeeded at with his solid and impressive debut album.
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Editor’s Pick: Foy Vance At The Birchmere
Foy Vance will bring his Signs of Life tour to Alexandria's Birchmere on Tuesday, May 10.
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Editor’s Pick: The Indigo Girls Stream A Concert On Veeps
The Indigo Girls will stream their concert "Look Long: Together" for one week starting May 8, and features "special surprise guests."
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Music Review: Syd’s ‘Broken Hearts Club’ Is Relaxed And Effortlessly Cool
'Broken Hearts Club' finds Syd at her most intimate and vulnerable, and at the top of her game as a songwriter.
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With ‘Bronco,’ Orville Peck Goes In An Unexpected Direction
Gay country singer Orville Peck gets a little wilder and a lot more real on his latest album, 'Bronco.'
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Music Review: Walt Disco Is Loud, Charismatic, And Wondrously Eclectic
Walt Disco is something truly special, as the band blurs genres and torches the rulebook on its dazzling debut album.
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Music Review: Charli XCX Goes Back To Pop Basics
With her new album Crash, Charli XCX makes it clear her urge to experiment and innovate is as strong as ever.
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Music Review: CMAT’s “If My Wife New I’d Be Dead” is pure fun
CMAT's debut is campy country at its very best, embodying some of the best aspects of Dolly-adjacent country-pop.
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Album Review: ‘Once Twice Melody’ by Beach House
The Baltimore-based duo Beach House shines on "Once Twice Melody," a vivid and elegiac double album
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Album Review: The Tipping Point by Tears for Fears
Eighties synthpop royalty Tears For Fears surprises with a charismatic, indulgent new album
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Music Review: ‘One Day’ by The Cactus Blossoms
The Cactus Blossoms' third album searches for silver linings in a gloomy present.
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Album Review: ‘Laurel Hell’ by Mitski
Mitski returns from a brief hiatus with "Laurel Hell," a complex, cerebral sixth album delivered with profound honesty and self-awareness.
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Album Review: Anaïs Mitchell makes her self-titled return
Anaïs Mitchell shakes off the bombast of "Hadestown" for a collection of reflective songs from the Vermont countryside
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Album Review: Night Call by Years & Years
Olly Alexander takes Years & Years solo, and throws himself into a fantasy of his own making
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