François Ozon's brooding drama "The Stranger" offers an alluring look at the alienated life of a Frenchman in 1930s Algiers
Red flags and hairpin turns mark a couple’s twisted path to the altar in Kristoffer Borgli’s darkly funny romance.
Daniel Roher’s documentary probes artificial intelligence’s risks and rewards, weighing apocalyptic fears against tech-world optimism.
Ralph Fiennes is quietly compelling as a caring choir master in the otherwise scattered, queer-themed "The Choral"
A self-aware mockumentary inspired by Charli XCX's Brat Summer takes a surprisingly soft swing at modern pop stardom.
Marie Losier’s documentary Peaches Goes Bananas follows the artist through performance, provocation, and personal evolution.
Rebecca Zlotowski’s elegant mood piece leans on Foster’s performance while the plot drifts toward an underwhelming finish.
Paul Feig’s adaptation of Freida McFadden’s bestseller leans on sex appeal and campy menace, but its twists never fully land.
Emma Stone and Jesse Plemons buzz through a wickedly funny thriller of abduction, alienation, and apiculture.
Guillermo del Toro's sumptuous "Frankenstein" looks fantastic while lurching along like a ship trapped in ice.
Scott Derrickson's sequel to The Black Phone reaches for deeper meaning amid its ghosts and gore, but never finds the same chilling power.
Bill Condon’s glossy Kiss of the Spider Woman favors J.Lo’s showmanship over the musical’s political grit.
Eddington's lacerating social satire about a town torn apart by pandemic paranoia takes a violent turn without losing the plot.
"Baby" brings verve and style to its story of a cunning queer teen surviving the streets of São Paulo
Cloris Leachman transcends the mundane material in "Jump, Darling," whose plot seems to have been cobbled together on Post-It Notes.