Roz White illuminates Billie Holiday's blues in Mosaic's moving production of "Lady Day at Emerson's Bar & Grill."
Michael Keaton is in fine form in Tim Burton's "Beetlejuice Beetlejuice," a morbid, fitfully funny feast for the eyes.
A musical theater classic is remounted with Sutton Foster, Michael Urie and a regal ensemble.
A new immersive experience conquers New York as beautifully and boldly as a Bull Market.
David Henry Hwang's musical satire "Soft Power" confronts America's political division with biting wit and romance.
In "Close to You" Elliot Page masterfully plays a prodigal son returning home for the first time since he transitioned.
Keegan's "Noises Off" hits its marks with zeal, yet doesn't achieve the high-flying heights of truly hilarious farce.
A high school athlete is beset by secret crushes and anti-gay hysteria in the conversion therapy thriller "Ganymede."
Lisa Kudrow leads a circle of funny friends in an action-packed series reinvention of the '80s classic "Time Bandits."
Glen Powell rides the whirlwind as the best thing in "Twisters," a storm-chasing sequel only mildly as thrilling as the original.
It's murder on the dance floor, and all over the stage, in Monumental's delightfully demented "American Psycho."
Studio Theatre revives George C. Wolfe's pungent satire "The Colored Museum" in a hilarious new production.
Constellation's "Is God Is" blends metaphor with blood-soaked violence in an offbeat, sometimes clunky revenge tale.
June Squibb is a feisty grandmother hunting the scam artists who robbed her in the satisfying caper-comedy "Thelma."
Step Afrika! stomps up a storm with grace and precision in the uplifting epic "The Migration" at Arena Stage.