'Jennifer Who Is Leaving' is a refreshing reminder that not all great theater has to break transgressive ground or shock.
Britbox's 'The Confessions of Frannie Langton' is a haunting miniseries that unfolds with a gorgeous seriousness of purpose.
The latest album from the Fruit Bats contemplates the meaning of place, daring us to do the same.
Impressive singing and stagecraft spark a lit and lively 'Les Miz' at the Kennedy Center.
If you like vivid nightmares driven by existential depression and crushing grief you will love 'Beau is Afraid.'
Playwright Mary Kathryn Nagle ably carries 'On the Far End' with a commanding solo performance as Muscogee leader Ella Jean Hill.
'Beef' bills itself as a comedy, but it works better as a drama about the burning anger we confront in everyday life.
Recording artist Josh Groban leads a solid cast in Broadway's riveting new revival of a classic American musical.
Nicolas Cage plays the infamous Count Dracula in 'Renfield,' an overcooked clash of genre and tepid grasps at modernization.
Mosaic's 'Unseen' captures nuances of bearing witness to war and suffering, but its heroine doesn't come fully into focus.
Toni Collette's madcap mob comedy 'Mafia Mamma' is drowning in blood and bullets instead of laughs.
A coming-out drama devoid of joy or affirmation, "El Houb" looks at an angst-ridden gay Arab immigrant's life in Amsterdam
A much-beloved nineties musical, "Parade," returns to Broadway in a stunning new production starring Ben Platt.
"Bad Cinderella," the latest Broadway musical from composer Sir Andrew Lloyd Webber, lives up to its name.
No stranger to asking big questions, Lana Del Rey gets more existential than ever before on her ninth album.