44: The Musical is a jubilant, nostalgia-fueled romp through the Obama years, powered by humor and Shanice’s standout vocals.
Sam Pinkleton’s Broadway revival of The Rocky Horror Show brings the freaks, but leaves the shock at the stage door.
A joyous, tongue-in-cheek homage to golden-age musicals, "Schmigadoon!" dazzles with lush tunes and irresistible charm.
Kelli O'Hara and Rose Byrne bring fizz and physical comedy to Fallen Angels, but Noël Coward’s slight farce can’t shake its tedium.
Nu Sass Productions' "Everything, Devoured" raises Reagan from the dead in a saucy, surreal ghost story about saving queer lives
Missing the company's usual verve and showmanship, Rorschach's fanciful couples-in-crisis drama "Dragon Play" flames out.
Andrew Lloyd Webber’s musical crowd-pleaser purrs with queer joy and vogues its way to a spiritual rebirth on Broadway.
Keegan Theatre presents Tracy Letts’ blistering satire of officials rewriting history for their own advantage.
Christopher Durang’s Tony-winning Vanya and Sonia and Masha and Spike gets a lively, laugh-filled staging in Baltimore.
Izzard delivers a cerebral, language-driven “Hamlet” at the Shakespeare Theatre, powered by clarity, control, and sheer theatrical nerve.
Strong performances and a tense atmosphere can’t quite unify Rachel Bonds’ unflinching but fragmented drama.
Mosaic's lively staging brings John Lewis’ early activism to life with energy and soul, though its lyrics don’t always rise to the occasion.
The Royal Shakespeare Company’s Hamnet, now at Shakespeare Theatre Company, is overacted and dramatically thin.
Karen Ann Daniels’ intimate, interactive take on Shakespeare’s rom-com is powered by standout turns from Tsilala Brock and Manu Kumasi.
Class is in session at Theater J for Jonathan Spector's savagely funny, liberal-lashing comedy "Eureka Day"