The London-based, live artist Tania El Khoury has devised a brilliant means of connecting a worldwide audience to a true refugee story, one audience member at a time.
Her interactive performance, As Far As My Fingertips Take Me, now at Woolly Mammoth, invites the public to sit down, one-on-one, with spoken word artist and musician Basel Zaraa, and experience via art, song, text, and touch the humanity of this Palestinian man who was born inside the Yarmouk refugee camp in Syria.
Zaraa remains unseen, hidden behind a plain white wall that each visitor is asked to pass their hand through, allowing him to ink on their forearm a visual representation of his sisters’ escape from the destruction of the Yarmouk camp to the safety of Sweden.
The interaction demands a measure of trust and curiosity, and lasts less than fifteen minutes, but produces a powerful effect of empathy and understanding. That potential for making the political personal has inspired much of El Khoury’s work.
“Like many artists, I start with a political motivation,” says El Khoury. “Which is about me sharing my own political views, but also not trying to propose a balanced report of two sides or anything. [I’m] very clearly coming in solidarity with certain people; [I’m] very obviously for open borders, for example. Or believing in the need to listen to people who are discriminated against with all of the border policies that are around the world, and the fact that the world is shutting down and more closed off nowadays.”
While the performance has toured the globe for the past three years, its themes of displacement and resistance, and the physical manifestation of walls and borders, are especially fraught with meaning right here, right now. El Khoury could not have foreseen the timing of specific U.S. policies, but she definitely intended to make a statement about putting up walls.
“I mean, it’s just obviously like what Basel says at the end of the introduction [to the performance]: ‘We do cross borders.’ No matter how policies were forced on us, we are used to crossing borders. We will continue to cross borders. All borders that are made to us — not just the actual apartheid walls, for example — but also barriers and limitations that are put on marginalized groups in a society. In that sense, it is a kind of affirmation that we will find ways to penetrate these walls that are made and put everywhere for us.”
As Far As My Fingertips Take Me runs through February 3 in the lobby of Woolly Mammoth Theatre, 641 D St. NW. Tickets are $15, via a digital lottery. Call 202-393-3939, or visit www.woollymammoth.net.
As a free LGBTQ publication, Metro Weekly relies on advertising in order to bring you unique, high quality journalism, both online and in our weekly edition. The ongoing coronavirus pandemic has forced many of our incredible advertisers to temporarily close their doors to protect staff and customers, and so we’re asking you, our readers, to help support Metro Weekly during this trying period. We appreciate anything you can do, and please keep reading us on the website and our new Digital Edition, released every Thursday and available for online reading or download.