From a Macbeth starring Ralph Fiennes to an unabashed Hair at Signature, the spring season on D.C.-area stages is as vibrant as ever.
Woolly Mammoth's "The Sensational Sea-Minkettes" kicks off with a sensational first half but doesn't sustain its fine form.
We're giving away two pairs of tickets to "Where We Belong" on Saturday, March 2, at 8 p.m. at The Folger Theatre in Washington, D.C.
Woolly Mammoth's "Public Obscenities" traverses cultural and generational gaps to explore the complexity of connection.
The upcoming seasons of 30 professional theater companies, big and small, in the D.C., Maryland, and Virginia region.
Reginald L. Douglas, Mosaic's artistic director, offers a peek behind the scenes of running one of D.C.'s hottest theater companies.
Dave Harris' funny, fast-paced "Incendiary" ventures unflinchingly into disturbing corners of crime and punishment.
Aya Ogawa's The 'Nosebleed' is intelligent and amusing, but it leaves little space for its more compelling themes.
A brilliant concept impeccably executed, 'The Jungle' immerses audiences in the stirring drama of a migrant camp under threat.
There is an abundance of great shows and musicals presently filling D.C.'s stages as the second half of the season kicks into high gear.
The fierce performances are nearly drowned out by theatrical noise in Woolly's 'seven methods of killing kylie jenner.'
Woolly Mammoth's "An Interdisciplinary Gathering of Native Artists" is one-night-only, Sunday, January 29.
A surreal comedy about "solving" America's race problem, "Ain't No Mo'" roars out of the gate, but flags toward the finish.
The theater season in Washington, D.C. returns to robust pre-pandemic levels with an astounding array of dramas, comedies, and musicals.
A pair of assault survivors plot revenge in Paola Lázaro's electrifying, blisteringly funny 'There's Always the Hudson.'