By Randy Shulman on March 29, 2025 @RandyShulman

Stages are alight this Spring with a deluge of exciting productions — some starry, as in the case of The Shakespeare Theatre’s Uncle Vanya featuring Hugh Bonneville, equally beloved in Downton Abbey and the joyous Paddington films.
The beauty of theater — and in all these inventive, upcoming works — is that it serves up various points of view with drama, wit, and intellect often concealed under the guise of boisterous entertainment. At its best, theater quenches our thirst for a deeper connection to our fellow human beings. At its worst, it’s Cats. Still, theater sometimes gives you a musical moment that makes your spirits soar.
We’re looking at you, Jean Valjean and Hedwig.

1524 Spring Hill Rd.
Mclean, Va.
703-854-1856
www.1ststage.org
2700 S. Lang Street
Arlington, Va.
703-418-4808
www.avantbard.org
700 N. Calvert St.
Baltimore, Md.
410-332-0033
www.centerstage.org
127 E. Broad St.
Falls Church, Va.
703-436-9948
www.creativecauldron.org
315 West Fayette St.
Baltimore, Md,
410-752-2208
www.everymantheatre.org
Atlas Arts Center
1333 H St. NE
www.ExPatsTheatre.com
201 E. Capitol St. SE
202-544-7077
www.folger.edu
3333 14th St. NW
202-234-7174
www.galatheatre.org
1742 Church St. NW
202-265-3767
www.keegantheatre.com

202-467-4600
www.kennedy-center.org
Atlas Arts Center
1333 H St. NE
202-399-7993, x501
www.mosaictheater.org

1321 Pennsylvania Ave. NW
202-628-6161
www.thenationaldc.org

2001 Olney-Sandy Spring Rd.
Olney, Md.
301-924-3400
www.olneytheatre.org
Sidney Harman Hall
610 F Street NW
202-547-1122
www.shakespearetheatre.org

4200 Campbell Ave.
Arlington, Va.
703-820-9771
www.sigtheatre.org
800-494-8497
www.synetictheater.org
202-241-2539
www.theateralliance.com

1529 16th St. NW
202-777-3210
www.theaterj.org
900 Massachusetts Ave. NW
240-582-0050
www.stageguild.org
641 D St. NW
202-393-3939
www.woollymammoth.net
Read Kate Wingfield’s and André Hereford’s stage reviews weekly in the magazine.
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By Kate Wingfield on November 2, 2025
Almost every reference to Ibsen's The Wild Duck starts with how rarely it's performed. You can see why: the play is basically a tragedy wrapped up in a comedy wrapped up in questions of class, status, gender, and whether deception is a necessary social glue. It's a Rubik's cube of a play but -- credit where it's due -- director Simon Godwin makes it look easy. In his hands, this is an intimate, tragic-comic domestic drama you can really get your teeth into.
And kudos to Godwin (and adapter David Eldridge) for seeing how relevant The Wild Duck is for a 21st century audience. Even if Ibsen writes as a man of his times, it's still true that a single mother today might push her daughter towards financial security, a young man might make an ideological break from an overbearing father, and a destabilized family might forget to protect its fledgling.
By André Hereford on November 9, 2025 @here4andre
Lizzie Borden swings a mean axe in Lizzie the Musical, both as a rage-fueled maybe murderess and as the electrifying voice leading this hard-charging, concert-style rock musical. For director-choreographer Jennifer J. Hopkins' bracing new production at the Keegan, Lizzie's voice -- and her rage and riveting determination -- reside in Caroline Graham.
Lacing Lizzie's fury with a winking sense of humor, Graham positively shreds the grunge-punk rock score composed by Steven Cheslik-DeMeyer and Alan Stevens Hewitt, with lyrics by Cheslik-DeMeyer and Tim Maner. Maner wrote the show's book, which hews close to the known facts and testimony that have shaped public perception of the notorious 1892 murder case.
By André Hereford on November 8, 2025 @here4andre
Estranged cousins Mina (Renea S. Brown) and Sade (Hillary Jones) in a.k. payne's intimate drama Furlough's Paradise could hardly be more different in taste and temperament, but they still share more in common than just blood.
Despite wildly differing living circumstances, both women risk hoping for their version of a better future. They both harbor dreams that feel so big they have to keep them closely guarded, and both are haunted by choices they made that led them down uncertain paths.
Mina and Sade once shared a childhood, a sisterhood and friendship, bonds that frayed as their lives arced in seemingly opposite directions. Mina, the bright Ivy League grad, now lives in L.A. on a plump Google salary. Sade, of whom far less was expected, resides in a cell inside a West Virginia state prison.
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