Heather Raffo's "Noura" has a wealth of ideas, but suffers from too much telling and not enough showing
Michael Urie and Ryan Spahn talk candidly about their nine-year relationship and the challenges of being out in Hollywood
Heath Saunders offers "a slightly bro-y Loki" as Feste the fool in Twelfth Night
Shakespeare Theatre's Twelfth Night is a "true original"
The key to understanding playwright Harold Pinter is to approach his plays like the puzzles they are
Shakespeare Theatre's "The Lover" and "The Collection" offer Pinter at his best
Othello's Faran Tahir promises a fresh take on Shakespeare's timely drama of jealousy, bigotry, and violence
Hemingway fans will appreciate the faithfulness of The Select, but for everyone else it's a bit of a slog
If President Trump dramatically cuts funding to the NEA, what impact would that have on the arts in America?
Mike Bartlett's King Charles III is one regal encounter you won't want to miss
Artistic Director helped raise Washington's profile as a theater powerhouse
Shakespeare Theatre offers an uneven revival of The Secret Garden, which is still unequivocally Daisy Eagan's show
The Shakespeare Theatre's "Romeo and Juliet" is more high school field trip than grown-up fare
Maulik Pancholy has racked up an impressive number of credits on television, including 30 Rock and Weeds. Now he's tackling his biggest challenge yet --...
Shakespeare Theatre's 1984 is constrained by the source material's faults, but is still an enthralling concept piece