44: The Musical is a jubilant, nostalgia-fueled romp through the Obama years, powered by humor and Shanice’s standout vocals.
The shape-shifting performer talks solo Hamlet, gender fluidity, and a career built on speed, instinct, and reinvention.
Izzard delivers a cerebral, language-driven “Hamlet” at the Shakespeare Theatre, powered by clarity, control, and sheer theatrical nerve.
The Royal Shakespeare Company’s Hamnet, now at Shakespeare Theatre Company, is overacted and dramatically thin.
A guide to the must-see shows across D.C., Maryland, and Virginia, from major productions to daring new work.
Bill Irwin reflects on Samuel Beckett’s writing and how it shaped his legendary stage career in his one-man show "On Beckett."
Bill Irwin transforms Samuel Beckett’s existential prose into an intimate, illuminating, and unexpectedly moving evening.
Impressive stagecraft and jump scares can’t make up for Levi Holloway’s thin story and underwritten characters.
Fresh from belting Sondheim with Bernadette Peters, Jacob Dickey rolls the dice in Shakespeare Theatre Company’s "Guys and Dolls."
Francesca Zambello delivers lavish Golden Age spectacle, standout musical numbers, and big Broadway flair.
The Shakespeare Theatre's Simon Godwin turns Ibsen's "The Wild Duck" into a sharp, resonant study of truth, guilt, and family fallout.
A fearless fall on D.C. stages -- classics reimagined, new voices amplified, and bold premieres that insist live theater matters now.
Lively and colorful, Jocelyn Bioh's "Merry Wives" at STC blends Harlem culture and Shakespearean farce with mixed results
In reshaping "Frankenstein" as a tale of contemporary marriage, Emily Burns raises more questions than her monster answers
From eloquent period dramas to talking bears to Russian classics, Hugh Bonneville has every acting base covered.