Bedlam's Saint Joan is lovingly produced but demands the patience of a saint
Shakespeare's story is delivered with a metaphorical twinkle in the eye
Theresa Rebeck's "The Way of the World" has a few moments of brilliance, but not enough to redeem it
Shirine Babb rules all in "Antony and Cleopatra"
From Cleopatra to Potterdom, Shirine Babb's career has magic (and talent) on her side
In the Folger's production of Timon of Athens, Antoinette Robinson portrays a character generally portrayed by a man
Shakespeare's Timon can't be easy to stage, and that's why the unstoppable folks at Folger took it on.
Hirshfield has written two books of essays and eight collections of poetry
"As You Like It" is a charmingly energetic soul-pleaser paired with the Folger's special brand of intimacy
Folger's add interludes of music and song from the period to enhance this holiday treat
Sense and Sensibility's intelligent silliness will create theatergoers for life
Folger's clever take on "Merchant of Venice" contemplates race, religion and reality without the preacher
America's Shakespeare at the Folger documents the Bard's New World connection
The true phenomenon in Aaron Posner's gloriously irreverent "Midsummer Night's Dream" is Holly Twyford's Bottom
Holly Twyford has helped shape D.C.'s theater scene by taking on gender-bending roles, including Bottom in "A Midsummer Night's Dream"