By Randy Shulman on March 29, 2025 @RandyShulman

Stages are alight this Spring with a deluge of exciting productions — some starry, as in the case of The Shakespeare Theatre’s Uncle Vanya featuring Hugh Bonneville, equally beloved in Downton Abbey and the joyous Paddington films.
The beauty of theater — and in all these inventive, upcoming works — is that it serves up various points of view with drama, wit, and intellect often concealed under the guise of boisterous entertainment. At its best, theater quenches our thirst for a deeper connection to our fellow human beings. At its worst, it’s Cats. Still, theater sometimes gives you a musical moment that makes your spirits soar.
We’re looking at you, Jean Valjean and Hedwig.

1524 Spring Hill Rd.
Mclean, Va.
703-854-1856
www.1ststage.org
2700 S. Lang Street
Arlington, Va.
703-418-4808
www.avantbard.org
700 N. Calvert St.
Baltimore, Md.
410-332-0033
www.centerstage.org
127 E. Broad St.
Falls Church, Va.
703-436-9948
www.creativecauldron.org
315 West Fayette St.
Baltimore, Md,
410-752-2208
www.everymantheatre.org
Atlas Arts Center
1333 H St. NE
www.ExPatsTheatre.com
201 E. Capitol St. SE
202-544-7077
www.folger.edu
3333 14th St. NW
202-234-7174
www.galatheatre.org
1742 Church St. NW
202-265-3767
www.keegantheatre.com

202-467-4600
www.kennedy-center.org
Atlas Arts Center
1333 H St. NE
202-399-7993, x501
www.mosaictheater.org

1321 Pennsylvania Ave. NW
202-628-6161
www.thenationaldc.org

2001 Olney-Sandy Spring Rd.
Olney, Md.
301-924-3400
www.olneytheatre.org
Sidney Harman Hall
610 F Street NW
202-547-1122
www.shakespearetheatre.org

4200 Campbell Ave.
Arlington, Va.
703-820-9771
www.sigtheatre.org
800-494-8497
www.synetictheater.org
202-241-2539
www.theateralliance.com

1529 16th St. NW
202-777-3210
www.theaterj.org
900 Massachusetts Ave. NW
240-582-0050
www.stageguild.org
641 D St. NW
202-393-3939
www.woollymammoth.net
Read Kate Wingfield’s and André Hereford’s stage reviews weekly in the magazine.
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By Randy Shulman on January 17, 2026 @RandyShulman
Douglas Sills loves to laugh. It's a big laugh, hearty and life-affirming. And it -- along with a warm, impossibly broad smile -- blankets a conversation with him in warmth and comfort. The laugh bursts forth at unexpected moments, such as when the actor, known for stints on Broadway and as French chef (revealed to be a Kansas cook) Monsieur Baudin on HBO's The Gilded Age, is asked if he has ever been part of a play that's gone terribly wrong.
"I don't have a disaster in my head offhand," he grins. "Do I? I don't. Maybe it's because you go to work every day for months and you're pouring your heart and soul into it, you're there for hours and hours and hours and hours and hours, and you're giving up everything to do it, and it's not a high-paying thing. And so you drink the Kool-Aid -- you have to. And so maybe that's why it doesn't feel like a disaster to me." He pauses. "But I've seen some disasters."
By Kate Wingfield on January 17, 2026
Absorbing and visually enthralling, Synetic's production of Antony and Cleopatra returns after sixteen years, with new leads and gads of the same spine-tingling energy. One of several in their repertoire interpreting Shakespeare through movement, dance, and mime -- but not the spoken word -- it is a strikingly original way to experience the classic play.
It's also exceptionally daring: remove the language and it's all about finding a way to express not just the plot, but the Bard's many interwoven themes. Get it wrong, and it could easily veer towards the cartoonish. And when it comes to this play in particular, the task is especially ambitious with a historical tale that spans the ancient world, embraces numerous battles, zooms in and out of Roman power machinations, and still manages to evoke the passionate affair of the two larger-than-life titular figures.
By Kate Wingfield on December 22, 2025
Putting aside the curious question of why the Shakespeare Theatre Company has taken to staging musical theater -- this season it's Guys and Dolls -- the happy news is that director Francesca Zambello doesn't need to keep her day job (although let's hope she does).
She may be the artistic director of the Washington National Opera, but she's clearly got the eye, ear, and vision for a whole different kind of crowd. This is no-holds-barred Golden Age rom-com song-and-dance magic brought fully to life with some serious spectacle. From scenic designer Walt Spangler's mind-blowing industrial shop space, with all its peeling paint and careworn shop décor, to a live orchestra conducted with complete and utter flair by James Lowe, it's something to behold.
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