Film
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Marty Supreme Runs on Timothée Chalamet’s Pure Mania
Josh Safdie’s solo outing turns table tennis into a nerve-shredding portrait of ambition, ego, and postwar anxiety.
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Light Up’s Voices Are Powerful. Its Format Is Not.
Compelling coming-out stories anchor the Black queer documentary Light Up, despite distracting on-camera hosts.
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The 10 Best Movies of 2025
Toasting the powerful, passionate, and heart-pounding films that carried us through a year that felt like one battle after another.
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Sandbag Dam: A Gloomy Croatian Gay Drama
The return of a teenager's first love stirs repressed desire and angry intolerance in the gay drama "Sandbag Dam."
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The Housemaid: Sydney Sweeney Can’t Save This Thin Thriller
Paul Feig’s adaptation of Freida McFadden’s bestseller leans on sex appeal and campy menace, but its twists never fully land.
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Merrily We Roll Along Review: Jonathan Groff Shines
The filmed Broadway revival of Stephen Sondheim’s musical is uneven at times, but energized by a commanding performance from Jonathan Groff.
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Sauna Review: A Gay-Trans Love Story That Falters
Mathias Broe’s tepid drama tracks a budding romance between a cis gay man and a trans man, but the filmmaker can’t save its third act.
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A Few Feet Away Review: When Grindr Becomes an Addiction
Raw and wryly funny, "A Few Feet Away" follows the hookup exploits of a Grindr-obsessed twink in Buenos Aires.
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Jay Kelly Review: Capturing the Unreality of Fame
Noah Baumbach's wistful Hollywood satire "Jay Kelly" questions the price of success in the motion picture industry.
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#300Letters Review: Toxic Notes from Buenos Aires
A spicy breakup tale built on 300 venomous letters, Lucas Santa Ana’s sexy but uneven gay "anti-romcom" stings more than it soothes.
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Come See Me in the Good Light Review: Romancing Cancer
Blunt, moving, and ruefully funny, Ryan White's film captures poet Andrea Gibson living their best life while dying.
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Tina Romero is Queering Up Zombie Movies
The filmmaker blends bold queer storytelling with the horror legacy her father built, creating a zombie film that’s entirely her own.
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The Rocky Horror Picture Show at 50: Let There Be Lips
Half a century later, the midnight movie that refused to die still sparks freedom, community, and unapologetic queer joy.
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Bugonia Review: Yorgos Lanthimos’ Sharp, Surreal Stinger
Emma Stone and Jesse Plemons buzz through a wickedly funny thriller of abduction, alienation, and apiculture.
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If I Had Legs I’d Kick You Review: Motherly Meltdown
Rose Byrne gives a powerhouse performance as an overworked mom pushed past her limits in Mary Bronstein’s darkly comic drama.
