“King John” may not be one of Shakespeare's greats, but Folger Theatre makes it a must-see
It's showtime for the team behind National Theatre's "Beetlejuice the Musical"
Simmons' intense, resonant performance of the Nubian princess has been hailed by critics
If you give yourself one Halloween treat this year, make it an evening with Synetic's "Sleepy Hollow"
Shayla S. Simmons pretty much steals the show as the lead in Constellation's glossy, glitzy "Aida"
"The Comedy of Errors" is just the ticket to escape our troubling times
Heisenberg pair carves out a seductive romance between a butcher and a mystery woman who meet by chance
Ford's production of Born Yesterday is an incredibly timely tale -- for better or worse
Despite a few strong performances, Keegan's Lincolnesque doesn't fully deliver, landing somewhere in the muddy middle
Pondering the ghosts of Jewish family past and present in Studio's "If I Forget" and Theater J's "The Pianist of Willesden Lane"
GALA's "Como Agua para Chocolate" lacks a few key ingredients, while REP's "Sweeney Todd" needed a little longer in the oven
Woolly puts forth a vicious comedy of office politics, while Folger offers stunningly unique version of "Macbeth"
Heavenly harmonies and one White-hot performance mark the high notes of Mosaic's Marie and Rosetta.
British director succeeds Kahn, who has helmed STC since 1986, for the 2019-2020 season
Designer Sarah Cubbage on the goth punk vibes of Rep Stage's new production