Stage
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‘Swept Away’ at Arena Stage: See Worthy
Tony-winner John Gallagher, Jr. leads the impressive, intrepid crew of Arena's transporting new musical "Swept Away."
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‘Public Obscenities’ at Woolly Mammoth Review
Woolly Mammoth's "Public Obscenities" traverses cultural and generational gaps to explore the complexity of connection.
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Brooklyn’s ‘Cocktail Magique’ Serves Up Burlesque and Booze
The tantalizing, Brooklyn-based Company XIV and Cocktail Magique, provide an alternative theatrical experience.
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Matthew Gardiner’s Signature Achievement
Signature's artistic director Matthew Gardiner steers his own "wheel of dreams" as he helms the company's massive 'Ragtime.'
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‘The Winter’s Tale’ at Folger (Review): Jest and Jealousy
The Folger Theatre welcomes audiences back to its home base with an exuberant new 'The Winter’s Tale.'
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‘Fat Ham’ at Studio Theatre Review: Great Dane
Shakespeare gets his invite to the cookout in "Fat Ham," a saucy gay, Black riff on the Bard's melancholy Dane.
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Taking on the Toxic Masculinity of Jack the Ripper
We Happy Few's 'Kill The Ripper' is a feminist revenge fantasy that takes down toxic male serial killers.
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‘Confederates’ Review: Slave Play
Mosaic delivers a deftly staged, powerfully felt production of Dominique Morisseau's thought-provoking 'Confederates.'
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A Brazilian Celebration of Love at Spooky Action
Danilo Gambini directs a new English translation of a famous queer play from his native Brazil for Spooky Action.
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‘Night of the Living Dead Live’ Review: Dead Heads
More spoofy than spooky, Rorschach's 'Night of the Living Dead Live' remixes the movie with verve and good humor.
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‘POTUS’ Review: Ladies First
Fast on its feet, and furiously funny, Arena's "POTUS" offers a wild time at the White House, powered by women
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‘The Chameleon’ Review: Family Dysfunction
Theater J's "The Chameleon" sketches an intriguing satire about blending in versus standing up, but fumbles the comedy.
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‘Macbeth in Stride’ Review: Sound and Fury
A whirlwind of ideas and music, Macbeth in Stride delivers its own unique brand of Shakespearean interpretations.
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‘Orlando’ Review: Vision of Love
Constellation makes queer-forward farce of Virginia Woolf's gender-bending classic "Orlando," adapted by Sarah Ruhl.
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‘The Chosen’ Review: Religious Differences
'The Chosen' packs an emotional punch as it probes the differences in how two friends' families live their faith.
