A fine "Falsettos" makes itself at home -- but only for a brief run -- at the Kennedy Center
Deb Gottesman and Claire Schoonover let 'er rip as dueling retirees in Keegan's rollicking "Ripcord"
Stage legend Betty Buckley delivers a tender matchmaker in a lush but logy "Hello, Dolly!"
Director Matt Conner forgoes the spectacle and focuses on the music and narrative
Goldie Patrick revives Herstory to represent the next hip-hop generation
The cast and production all have their moments, but not always in sync in Mosaic's Sooner/Later
Synetic offers a dark, exciting, and brazenly inventive wordless interpretation of "Richard III"
Lewis plays the clownish everyman Costard in Folger's "lovely, romantic, silly production"
GALA's Fame the Musical remembers the name of the game but makes scant magic
"Spunk" magnificently winds its way through three Zora Neale Hurston short stories
The Helen Hayes Awards spread the love around, recognizing the best of D.C. theater across dozens of shows
Michael Kahn's curtain call at The Shakespeare Theatre Company is the breathtaking, deeply satisfying "The Oresteia"
Jeanne Paulsen and Naomi Jacobson enact a gripping tug-of-war between frenemies in Studio's vividly realized "The Children"
Folger's Love's Labor's Lost is a wonderful -- if uneven -- reimagining of Shakespeare's battle of the sexes
A rapid-fire spoof of one of Hitchcock's most famous films