Solid stagecraft and storytelling serve Constellation's inventive production of "The White Snake"
All's well that ends well for the departing artistic director of the Shakespeare Theatre Company
Everybody plays the fool in Olney's daft but apparently crowd-pleasing "A Comedy of Tenors"
"Grand Hotel" offers eye-popping design and a few fine performances amid a dry, jumbled delivery
Junk makes the world of banking genuinely interesting, but lacks any human connection
Tearrance Arvelle Chisholm's P.Y.G. preaches almost as much as it entertains
D'Affuso: "I'm totally letting go and am having an absolute blast"
The three-act play is crafted from hundreds of interviews with friends, family, and neighbors of Shepard
Tense new productions of Native Son and columbinus explore toxic male rage, with varying degrees of success
Arena's JQA is best left to the tourists and those who can never get enough educational theater
Ford's production hits all the right notes, from dazzling design and soaring voices to a heartwarming cow
Details and meaning get muddled in the post-catastrophe thinkpiece "Masterpieces of the Oral and Intangible"
Monumental's "Daddy Long Legs" offers a refreshing taste of the modern in its old-fashioned fairy tale
Third Rail stages an immersive work at the Folger that is as eye-opening as it is delicious
Joe Calarco's newest play is a time-bending dramedy that also happens to be gay.