An unprecedented display of unity among more than a dozen D.C. area theaters is intended to protect performers, staff, and patrons.
Shakespeare's welcome return to live theater is a bold exploration of a strange new world.
A fictional court case drawn from the marital woes in Shakespeare's "The Winter's Tale."
In "All the Devils Are Here," Patrick Page connects today's popular villains to their roots in Shakespeare's works
Artistic Director Simon Godwin hopes for a "chatty, informed, engaging exploration of why Shakespeare is great"
We celebrate the work of Todd Franson with a stunning array of 126 portraits from 1996 to 2020.
Spend your gold on Simon Godwin’s extraordinary reboot of Timon of Athens, starring the phenomenal Kathryn Hunter.
James Baldwin's "The Amen Corner" feels remarkably fresh, original, and vitally important
With "Peter Pan and Wendy," Alan Paul helps to reshape a treasured classic and reimagines it for a new generation
"The Woman in Black" owes much to old-fashioned stagecraft, but it takes its time getting where it's going
"Everybody" puts amusing, compelling thought at the mercy of randomized casting
From starring in 'Hamlet' at Shakespeare to directing 'Bright Colors' at Studio, all the world’s his stage. Literally.
Michael Kahn's curtain call at The Shakespeare Theatre Company is the breathtaking, deeply satisfying "The Oresteia"
Shakespeare Theatre’s Richard the Third is fantastically devious and delightfully fun.
David Ives' "The Panties, The Partner and The Profit" offers bold idea, but a dearth of laughs