Tragicomic odyssey "Everything is Illuminated" roams between laughs and lessons.
Round House revs up an intermittently jolly farce that runs smoothest when it races
Studio's Three Sisters is even more thrilling when paired with Aaron Posner's experimental companion, No Sisters
Folger's clever take on "Merchant of Venice" contemplates race, religion and reality without the preacher
Holly Twyford has helped shape D.C.'s theater scene by taking on gender-bending roles, including Bottom in "A Midsummer Night's Dream"
A medieval yet modern and thoroughly entertaining evening at The Folger
"Vanya and Sonia and Masha and Spike" is an evening of easy entertainment with reliable life lessons
A gloriously neurotic, hilariously self-aware cri de coeur as told through a cleverly irreverent adaptation of Chekhov's The Seagull, Aaron Posner's Stupid Fucking Bird is...
You don’t go to the theater for silence. It’s not a place for meditation or prayer, after all -- at least not if it’s a...
Aladdin doesn't appear in Mary Zimmerman's The Arabian Nights. Neither does Sinbad the Sailor. Both fairy tales weren't originally part of the stories of Scheherazade,...