Although disturbing and unsettling, Othello doesn't live up to its full potential
The true phenomenon in Aaron Posner's gloriously irreverent "Midsummer Night's Dream" is Holly Twyford's Bottom
Holly Twyford has helped shape D.C.'s theater scene by taking on gender-bending roles, including Bottom in "A Midsummer Night's Dream"
Baltimore's Center Stage serves up an all-female "As You Like It"
For 25 years, the Free For All has been serving up Shakespeare to the city's delighted, theater-loving masses
Unexpected Stage's elderly Romeo and Juliet is a bit retiring
Another in Synetic Theater’s Silent Shakespeare series, the dance-musical interpretation of Much Ado About Nothing is a clever, outside-the-box extravaganza. A pastiche of 1950s musical...
A contemplation on Macbeth, David Greig's Dunsinane offers reflection on modern global conflicts
Folger's production of the Bard classic is meticulous, captivating, and a fitting tale to retell in Washington
AMERICAN BALLET THEATRE: TOURING THE GLOBE FOR 75 YEARS A collection of 43 artifacts, including photographs, costume sketches, posters and a short film of clips,...
“It has all the elements of a great night at Shakespeare mashed into one,” Alan Paul says of The Winter’s Tale, whose hard-to-characterize plot incorporates...
Twenty-two years ago the Folger Shakespeare Library invited the late, great actress Lynn Redgrave to share anecdotes from her Shakespeare-steeped family, led by her father,...
This is not hyperbole: Much Ado About Nothing reflects Joss Whedon's skill as a director as much as it celebrates Shakespeare's timeless words. (Blasphemy, you...
Adapting an adaptation, The American Century Theater puts an intelligent and provocative spin on Orson Welles's Voodoo Macbeth, itself a radical interpretation of Shakespeare's Scottish...
''Elizabethan London and contemporary Washington, D.C., probably have more in common than any two other cities,'' says Ethan McSweeny. It's because of that link that...