As Pride Plays takes over Woolly Mammoth for WorldPride, the "Shrinking" star talks representation and radical joy in queer theater.
Julia Izumi’s self-absorbed solo show offers weak humor, clunky staging, and little emotional payoff beneath its quirky concept.
Woolly Mammoth's funny and subversive "It's a Motherf**king Pleasure" is a joyously provocative evening out.
Choreographer Dana Tai Soon Burgess brings three deeply personal works to the Woolly Mammoth stage next weekend.
From musicals to madness, from horror classics to classic Shakespeare, from compelling drama to comedy tonight, D.C.-area stages have it all.
Playwright Branden Jacobs-Jenkins takes our souls for a spin in "The Comeuppance," the masterful season opener at Woolly Mammoth.
A queer writer-performer seeks common ground with his traditional Pakistani mom in Adil Mansoor's engaging "Amm(i)gone."
From a Macbeth starring Ralph Fiennes to an unabashed Hair at Signature, the spring season on D.C.-area stages is as vibrant as ever.
Woolly Mammoth's "The Sensational Sea-Minkettes" kicks off with a sensational first half but doesn't sustain its fine form.
We're giving away two pairs of tickets to "Where We Belong" on Saturday, March 2, at 8 p.m. at The Folger Theatre in Washington, D.C.
Woolly Mammoth's "Public Obscenities" traverses cultural and generational gaps to explore the complexity of connection.
The upcoming seasons of 30 professional theater companies, big and small, in the D.C., Maryland, and Virginia region.
Reginald L. Douglas, Mosaic's artistic director, offers a peek behind the scenes of running one of D.C.'s hottest theater companies.
Dave Harris' funny, fast-paced "Incendiary" ventures unflinchingly into disturbing corners of crime and punishment.
Aya Ogawa's The 'Nosebleed' is intelligent and amusing, but it leaves little space for its more compelling themes.