Round House’s Bethesda production of Matthew Lopez’s The Inheritance delivers a sweeping, six-hour gay epic of history, love, and loss.
A fearless fall on D.C. stages -- classics reimagined, new voices amplified, and bold premieres that insist live theater matters now.
Lively and colorful, Jocelyn Bioh's "Merry Wives" at STC blends Harlem culture and Shakespearean farce with mixed results
Chelsea Marcantel’s Amish family drama Everything Is Wonderful gets a finely crafted but uneven production at Keegan.
GALA spins a web of taut drama, intrigue, and sexual tension in a spellbinding "Kiss of the Spider Woman."
A sexy portrait of a marriage, Mosaic's "Dodi & Diana" gets all dressed up but doesn't really go anywhere.
Signature Theatre’s “Play On!” blends Duke Ellington’s jazz and Shakespeare’s Twelfth Night in a joyful Cotton Club-set production.
Max Chernin leads a capable cast in the Tony-winning revival, slowed by slack pacing and uneven sound at the Kennedy Center.
The Contemporary American Theater Festival presents five world premieres in Shepherdstown, featuring bold stories and diverse voices.
Keegan’s Apropos of Nothing clicks with sharp comedy, strong performances, and a premise built for laughs.
Three local companies unite to debut District Fringe, a bold new summer festival spotlighting original voices.
Arena's transporting musical reimagining of A Wrinkle in Time soars early, but stalls in a sluggish second act.
GALA's "Botiquín de Boleros" puts the audience in the thick of impassioned singing, dancing, and drama
Signature's high-octane rock musical about Hunter S. Thompson leans too hard on hero worship and too little on meaningful insight.
The Baltimore favorite reflects on 50 shows at Everyman Theatre and returning to the glorious chaos of Charles Ludlam’s camp classic.