Theater J's 'Gloria: A Life' merely reenacts events in the life of feminist icon Gloria Steinem rather than dramatizing them.
An all-star ensemble takes on the Thornton Wilder classic in director Paul's unprecedented production at The Shakespeare Theatre.
Reflecting on the eternal and the ephemeral, Our Town hits every note in Thornton Wilder's classic symphony of Americana.
Signature's "The Upstairs Department" poignantly portrays siblings trying to make contact with the other side and each other.
A "funny and moving comedy about grief," The Upstairs Department is the latest world premiere at Arlington's Signature Theatre.
A vibrant Holly Twyford and compelling subject matter help to enliven the mildly pleasing "Silent Sky"
In "Escaped Alone," Caryl Churchill throws into question our sense of safety and civility in a rather unique manner
The Helen Hayes Awards co-hosts set the stage for D.C. theater's biggest night
Details and meaning get muddled in the post-catastrophe thinkpiece "Masterpieces of the Oral and Intangible"
It's hard not to love Naomi Jacobson as everyone's favorite cherubic sex therapist in Becoming Dr. Ruth
Love is in the air in Signature's graceful, elegant production of Sondheim's A Little Night Music.
Round House revs up an intermittently jolly farce that runs smoothest when it races
Who's Afraid of Virginia Woolf is another showcase for Holly Twyford's amazing talent
The true phenomenon in Aaron Posner's gloriously irreverent "Midsummer Night's Dream" is Holly Twyford's Bottom
Holly Twyford has helped shape D.C.'s theater scene by taking on gender-bending roles, including Bottom in "A Midsummer Night's Dream"