Over the course of decades in America, the one thing that has brought a divided country together has been the arts.
Eric Schaeffer – File Photo by Todd Franson
The arts are a vessel that brings ideas to life, introducing each of us to different, and sometimes challenging, points of view. They help us begin conversations and understanding about different people, different ideas and different ways of thinking altogether. They provide a safe place where no one is judged while thoughts and ideas are exchanged. Songs can move us, words can change us and music notes can stir our soul.
I hope the next four years we can use art to heal, accept different points of view and grow as a country that continues to be a melting pot of immigrants founded with the principle of free speech.
As President Kennedy said, “I see little of more importance to the future of our country and of civilization than full recognition of the place of the artist. If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.”
The opinions expressed in these letters are those of the individual authors and do not necessarily reflect the views of their organizations and this magazine, its staff and contributors.
As director Joe Calarco put it to the press night audience at Signature Theatre's Fiddler on the Roof, he had a simple pitch for what would become his twentieth Signature production.
For his Fiddler, Calarco -- whose 2017 Jesus Christ Superstar at the Northern Virginia theater still ranks as tops among the handful I've seen -- envisioned a table in the round. The family table, the community table, where so much that matters in life happens, would serve as the center for this telling of the musical composed by Jerry Bock, with lyrics by Sheldon Harnick, and book by Joseph Stein.
In a surprise appearance on Sunday, Nicki Minaj addressed Turning Point USA’s AmericaFest 2025, an annual conference aimed at younger MAGA activists, where she reaffirmed her recent anti-transgender views.
The rapper built her career with the help of a deeply devoted fanbase known as “Barbz,” many of whom are gay men. At the event, the “Super Bass” singer repeated the phrase “Boys, be boys” while seated on stage beside conservative lightning-rod Erika Kirk.
She continued her attacks on California Governor Gavin Newsom at the December 21 event, while offering effusive praise for the president and vice president.
Not since Hedwig and the Angry Inch have I so enjoyed a one-person musical about an internationally ignored female artist overshadowed by her famous male partner as much as I enjoyed Rebecca Simmonds and Jack Miles' enchanting In Clay.
Making its American premiere at Signature Theatre, following sellout runs in London, the jazz-infused portrait of early-20th-century French ceramicist and painter Marie-Berthe Cazin doesn't have too much else in common with hard-rocking Hedwig. Except that both shows are powered by a knockout batch of songs, and the galvanizing force of a woman reclaiming her time, her art, and her story.
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